{"title":"Great Hermes","authors":"H. Versnel","doi":"10.1093/oso/9780198777342.003.0021","DOIUrl":"https://doi.org/10.1093/oso/9780198777342.003.0021","url":null,"abstract":"In the archaic and classical periods Hermes, though very popular, was a god of modest status. This chapter sketches three roads that led him to “stardom.” Each of them was conditioned by a specific “position” of the god. For two of them this was a spatial setting; (1) an isolated cave in Crete and (2) the imaginary area of the Netherworld. The god took advantage of the associations these abodes evoked in terms of function, quality, and status of their hallowed regular tenants, such as Pan and the Nymphs on the one hand and the dreaded Chthonioi gods on the other. The third position is determined by its inclusion into a cultural setting, in casu a stylish literary genre of its time: the hymn. In all three Hermes owed the idiom connected with his new status to the language of hyperbolic esteem, praise and exaltation current in their contemporaneous religious contexts.","PeriodicalId":166591,"journal":{"name":"Tracking Hermes, Pursuing Mercury","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117353722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Greek Magical Hymn to Hermes","authors":"L. M. Bortolani","doi":"10.1093/OSO/9780198777342.003.0018","DOIUrl":"https://doi.org/10.1093/OSO/9780198777342.003.0018","url":null,"abstract":"This paper investigates the so-called “magical hymn” to Hermes, a short hexametrical invocation preserved in the corpus of the Greek magical papyri (PGM) in three different papyri of different dates: PGM V 401–20, VII 668–80, and XVIIb (fourth, third, and second/third centuries CE respectively). Some of the most interesting features are analyzed in the light of both Greek and Egyptian traditions in order to illuminate the cultural background of the divine persona described by the hymn. Though the composition appears to address a quite balanced syncretistic deity, a more thorough examination reveals that the nature of the god addressed, despite the Greek meter, is closer to Hermes’ Egyptian counterpart, Thoth. Nevertheless, the hymn does not have to be the product of philosophical Hermetism (as it has often been argued), but it could just represent an earlier stage of translation of the Egyptian conception into Greek.","PeriodicalId":166591,"journal":{"name":"Tracking Hermes, Pursuing Mercury","volume":"137 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131907806","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hermes/Mercury","authors":"Erin K. Moodie","doi":"10.1093/oso/9780198777342.003.0008","DOIUrl":"https://doi.org/10.1093/oso/9780198777342.003.0008","url":null,"abstract":"Hermes/Mercury should be understood as the physical manifestation and divine patron of comedy. The chapter focuses on the portrayal of Hermes in Aristophanes’ Peace and that of Mercury in Plautus’ Amphitryon, and traces each character’s adoption of the abject stance associated with comic heroes, his knowledge of comic conventions, and his general metatheatrical remarks to and about the audience. The god’s association with laughter, performance, and marriage throughout myth, as well as his connection to Dionysus in Athenian religious festivals, further supports his identification as the god of comedy.","PeriodicalId":166591,"journal":{"name":"Tracking Hermes, Pursuing Mercury","volume":"119 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131830633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hermes as Visible in Votive Inscriptions","authors":"Jenny Wallensten","doi":"10.1093/oso/9780198777342.003.0016","DOIUrl":"https://doi.org/10.1093/oso/9780198777342.003.0016","url":null,"abstract":"The chapter presents a corpus of votive inscriptions to Hermes. Who dedicated to the god, for what reasons, and to which gods was he associated? It comments on chronological and geographical aspects and proceeds to discuss some themes visible in the collected material. First, it examines why women are not frequent among worshippers visible in votive inscriptions, in contrast to Hermes’ frequent female company in myth and cult, second, how Hermes appears as the protector of magistrates, often in the company of Aphrodite, and third, the significance of the denomination New Hermes.","PeriodicalId":166591,"journal":{"name":"Tracking Hermes, Pursuing Mercury","volume":"354 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123239255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hermes and Heracles","authors":"Jennifer Larson","doi":"10.1093/OSO/9780198777342.003.0004","DOIUrl":"https://doi.org/10.1093/OSO/9780198777342.003.0004","url":null,"abstract":"The similarities between the myths of Hermes (especially as presented in the Homeric Hymn to Hermes) and certain elements of the Heracles myths are substantial enough to indicate a relationship. Specifically, the myth of the struggle for Apollo’s tripod has to do with Heracles’ progress toward acceptance as an Olympian god. The composer of the Homeric Hymn was reacting in some degree to the Heracles myth.","PeriodicalId":166591,"journal":{"name":"Tracking Hermes, Pursuing Mercury","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131153459","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hermes, Kyllene, Samothrace, and the Sea","authors":"S. Blakely","doi":"10.1093/OSO/9780198777342.003.0017","DOIUrl":"https://doi.org/10.1093/OSO/9780198777342.003.0017","url":null,"abstract":"Authors from Herodotus to Hippolytus confirm a range of roles for Hermes in the mysteries of the Great Gods of Samothrace, as psychopomp, mystagogue, divine servant, or bridegroom. A connection with the most distinctive promise of the rites—safety in travel at sea—arises through those texts which reference Hermes of Kyllene as the iconographic type of the Samothracian god. Celebrations of this Hermes arrived on the slopes of Mt. Saos along with the first Greek settlers; the archaic wooden ithyphallic xoanon is a visual sign capable of embodying Priapus as well as Hermes. Northeastern Aegean traditions commemorate the god as a hardy swimmer, able to save himself and protect mortal mariners. The Kyllenian type Hermes of Samothrace is one among many elements in the ritual vocabulary of maritime safety through which the island articulated its control over the sea.","PeriodicalId":166591,"journal":{"name":"Tracking Hermes, Pursuing Mercury","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125390502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Crossing the Borders","authors":"S. Casali","doi":"10.1093/OSO/9780198777342.003.0012","DOIUrl":"https://doi.org/10.1093/OSO/9780198777342.003.0012","url":null,"abstract":"All of Mercury’s three interventions in the Aeneid are engaged in a profound intertextual dialogue with Homer and Apollonius. Mercury’s first visit to Carthage (Aen. 1.297–304) echoes Athena’s intervention at Od. 13.300–2, and also the only intervention of Hermes as messenger/emissary of Zeus in the Argonautica (Arg. 3.584–8). This suggests a parallelism between Dido and Aeetes that will resurface again at Aen. 4.563–4 and 604–6. Furthermore, Jupiter’s sending of Mercury to Carthage and the god’s flight recall both Zeus’ sending of Hermes to Ogygia in the Odyssey and Aphrodite’s sending of Eros to Aea. Vergil’s fundamental model for Jupiter’s dispatch of Mercury to Aeneas (Aen. 4.219–78) is Zeus’ dispatch of Hermes to Calypso to free Odysseus at Od. 5.28–42. Finally, Mercury’s dream apparition to Aeneas (Aen. 4.553–70) is modeled on Hermes’ second visit to Priam at Il. 24.677–95.","PeriodicalId":166591,"journal":{"name":"Tracking Hermes, Pursuing Mercury","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125272570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Communicating with the Divine","authors":"Helen Collard","doi":"10.1093/oso/9780198777342.003.0015","DOIUrl":"https://doi.org/10.1093/oso/9780198777342.003.0015","url":null,"abstract":"Historians and archaeologists have long been interested in the Greek herm. However, several aspects of this topic can still be refined. The usual questions about these monuments bear on their origin, their signification, and their function. Many works have already addressed the question of the origin of the hermaic form, which seems rather clear today. But some uncertainties remain about the role, the signification and, in particular, about the function of herms: were they divine images, cult images of the god Hermes, or only boundary markers? By investigating iconographical evidence, this paper aims to shed new light on these questions.","PeriodicalId":166591,"journal":{"name":"Tracking Hermes, Pursuing Mercury","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115260391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The God and his Double","authors":"S. Beta","doi":"10.1093/oso/9780198777342.003.0007","DOIUrl":"https://doi.org/10.1093/oso/9780198777342.003.0007","url":null,"abstract":"Gods are a significant presence in Greek comedies, as it is the case of Hermes, the god who plays a decisive part as the divine assistant of the “comic hero” Trygaeus in Aristophanes’ Peace and makes the audience laugh when he asks the slave Karion to give him a job in Aristophanes’ Plutus. But the presence of Hermes on the comic stage does not limit itself to these famous examples. Quite often the god is present also as a statue, and sometimes this statue behaves like a real character, because it speaks and interacts with the other characters. The chapter deals with this peculiar role of Hermes. Given the significance of classical comic theatre for a full understanding of the life of the Athenian society, the chapter is also a contribution to the study of the figure of the god and the functions he performed in classical Athens.","PeriodicalId":166591,"journal":{"name":"Tracking Hermes, Pursuing Mercury","volume":"26 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123497007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hermes and the Figs","authors":"A. Vergados","doi":"10.1093/OSO/9780198777342.003.0019","DOIUrl":"https://doi.org/10.1093/OSO/9780198777342.003.0019","url":null,"abstract":"This chapter argues that the encomium to the fig preserved on P.Oxy. 17.2084 (third century CE) is a parody of an encomium, performed at a feast in honor of Hermes as a response to another participant’s praise of Hermes as the patron of rhetoric. This chapter argues that the encomium to the fig preserved on P.Oxy. 17.2084 (third century CE) is a parody of an encomium, performed at a feast in honor of Hermes as a response to another participant’s praise of Hermes as the patron of rhetoric.","PeriodicalId":166591,"journal":{"name":"Tracking Hermes, Pursuing Mercury","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133430329","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}