{"title":"Distant Voices: Amartya Sen on Adam Smith’s Impartial Spectator","authors":"I. Fraser","doi":"10.1163/24683949-00202005","DOIUrl":"https://doi.org/10.1163/24683949-00202005","url":null,"abstract":"For Amartya Sen, Adam Smith’s notion of the impartial spectator is a device that brings “distant voices” into our moral deliberations in order to prevent us from the parochialism that can limit our views on particular issues. Whilst recognising its importance, this article suggests that there are some problems with the way Sen uses this in his The Idea of Justice. Tensions arise around issues relating to his interpretation of Smith, a one-sided and undialectical understanding of the operation of the impartial spectator, an ambivalence in Sen’s approach between essentialism and cultural relativism, the capacity for people to carry out the demands of the impartial spectator and its efficacy in relation to real moral problems such as Smith’s case of infanticide. The conclusion is that in the search for openness, Sen leaves his idea of justice with insufficient grounding to forge a dialogue that can act as a challenge to entrenched beliefs rather than simply accept them in a limbo of fragile co-existence.","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133924563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Restricted Dialogue","authors":"F. Su","doi":"10.1163/24683949-00201003","DOIUrl":"https://doi.org/10.1163/24683949-00201003","url":null,"abstract":"In continental China, the impact of modern Western ideologies such as Marxism and the anti-traditional movement at the turn of the 20th century continue to play a significant role in current debates in the visual arts. Specifically, the question of whether contemporary Chinese visual arts should preserve, reinvent, or react against their traditions has become a very controversial topic.\u0000This essay attempts to show the relevance of dialogue with the past by focusing on a traditional theme – cloud imagery – and the ways it was used in the Mao Zedong era (1942-1976). In spite of the political and social radicalism that promoted a break from tradition, cloud imagery was reinterpreted to convey such a radical ideology. Hence, in a hermeneutical irony, by promoting the idea of a better “cultural present” severed from tradition the Mao era simply confirmed how vital it is as a principle to maintain a relationship with the past. However, whether such a re-appropriation for socio-political purpose can be called a dialogue remains open to debate.","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122670713","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Problematizing Contemporaneity","authors":"Paul Gladston","doi":"10.1163/24683949-00201004","DOIUrl":"https://doi.org/10.1163/24683949-00201004","url":null,"abstract":"In an attempt to go beyond persistent East-West colonialist/imperialist relations of dominance as part of globalization, emerging discourses relating to the concept of contemporaneity have sought to extend critical legitimacy to both an internationally dominant deconstructivist postcolonialism and to localized anti-imperialist assertions of national-cultural identity. Emerging discourses relating to the concept of contemporaneity can thus be understood to have entered into a problematic theoretical double-bind involving mutually resistant essentialist and anti-essentialist perspectives on the critical significance of cultural identity. In this essay I shall argue, with specific reference to the theorization of contemporary Chinese art, that one possible way beyond this problematic theoretical double-bind is to develop a polylogue, exploring in close analytical detail potential areas of remotivational interaction as well as resistance between international deconstructivist postcolonialist and localized essentialist anti-imperialist theoretical perspectives; a strategy akin to Jacques Derrida’s radical collage-text Glas (1974), which has the potential to open up differing discursive positions to one another while internally dividing and questioning their individual authority.","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117106409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dialogue as Art Reading Vikas Swarup’s Q & A with Daya Krishna","authors":"Sonia Weiner","doi":"10.1163/24683949-00201001","DOIUrl":"https://doi.org/10.1163/24683949-00201001","url":null,"abstract":"In this essay I propose to facilitate a dialogue between the thoughts of conceptual artist and philosopher, Daya Krishna, and the work of literary artist, Vikas Swarup. The central concept that will be “interrogated” in this dialogue is that of knowledge. I will apply my understanding of Daya Krishna’s conceptualization of the knowledge enterprise on to Vikas Swarup’s attitude toward knowledge as embodied in his 2005 novel, Q & A. This exercise serves to create a context in which conceptions of knowledge from diverse fields (hardcore philosophy and popular culture) can be in dialogue with one another, and thereby enhance meaning. Daya Krishna observes that the loss of certainty and proof in our postmodern age erodes the concept of knowledge. He alternately suggests new indicators with which to define knowledge, indicators which factor in chance and probability, and take into account inherent moral qualities of knowledge. I argue that this alternative model of knowledge finds an expression in Swarup’s novel.","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126254056","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ambiguity, Diversity and an Ethics of Understanding:","authors":"Gereon Kopf","doi":"10.1163/24683949-00101002","DOIUrl":"https://doi.org/10.1163/24683949-00101002","url":null,"abstract":"The world in the global age is characterized by a diversity of cultures, philosophies, religious traditions, and by a political landscape that increasingly features a multiplicity of powers or at least sides. Thus, an increasing amount of voices suggests the inevitability of multiculturalism, “intercultural philosophy,” religious dialogue, and political multilateralism. At the same time, however, the step from the fact of diversity to pluralism, that is the belief that diversity is a value, is frequently questioned. What is missing in this debate on pluralism, however, is a genuine philosophy of diversity, that is, a philosophy that takes into account the fact of diversity without succumbing to either particularism or universalism. This essay will try to examine the metaphysical conditions for diversity in order to suggest a philosophical position that takes seriously the diversity of cultures, traditions, and positions, without denying their individual particularities and idiosyncracies, on the one hand, and yet allows the theorist to envision a philosophy that does justice to the postmodern predicament, on the other.","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126560876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Doing Difference Together","authors":"Helen Verran, M. Christie","doi":"10.1163/24683949-00102002","DOIUrl":"https://doi.org/10.1163/24683949-00102002","url":null,"abstract":"Our essay begins with a story of a disagreement between a senior Aboriginal elder and an eminent Australian environmental scientist about whether two plants are the same or different. This highly specific disagreement, which occurred in the context of an attempt to exchange knowledge about land management, brings into focus what is involved in developing a philosophically sophisticated postcolonial dialogue as part of knowledge and culture work with Yolŋu Aboriginal Australians.\u0000We propose an Australian comparative empirical philosophical inquiry (ACEPI) as an intervention located in such encounters to prolong the possibilities for “doing difference” before forming concepts, through which a specific “going on together” becomes possible. We explain why we aspire to dialogue and recognize the worth of ontic discomfort, which might offer resources for ontic innovation. We also briefly discuss a project using a contrived analytic archive of Yolŋu texts, generated over the past twenty-five years.","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"60 7-8","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132286861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"America against China","authors":"T. Botz-Bornstein","doi":"10.1163/24683949-00102005","DOIUrl":"https://doi.org/10.1163/24683949-00102005","url":null,"abstract":"This essay reflects on Chinese and American hyperrealism and its effect on the self-perceptions and cultural identities of both countries. Hyperreality is a condition whereby it is impossible to distinguish reality from fantasy. Such a condition is common in technologically advanced cultures where virtual reality has made possible the endless reproductions of fundamentally empty appearances. It is however also possible to speak of hyperreality in terms of “culture” or “civilization.” As a first example, China produces a hyperrealist version of its culture in ways that are peculiar to the Confucian treatment of history. As a second example, hyperrealism can be seen in American civilization, which has often been described by some as a materialized utopia excelling in simulations such as Disneyland or Las Vegas and that permeates through large parts of American life like an underlying structure.\u0000The mythical and pseudo-historical past upon which many Chinese philosophical discourses are built has arguably led to a quasi-virtual timelessness whose effects remain significant in China’s contemporary political life. At the same time, American civilization consists – viewed from a certain angle – in an aseptic, dishistoricized culture that authors such as Jean Baudrillard have described in terms of “hyperreality.”","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133649933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Trans-cultural and Intercultural Humanism As a Response to the “Clash of Civilizations”","authors":"Mohamed Turki","doi":"10.1163/24683949-00101001","DOIUrl":"https://doi.org/10.1163/24683949-00101001","url":null,"abstract":"In the early 1990s, after the fall of the Berlin Wall and with the easing of East- West tensions, Samuel Huntington presented his theory of a “clash of civilizations.” He announced that conflicts between ideologies had come to an end and were to be replaced by a new kind of confrontation, this time between cultures and religions.\u0000This essay attempts to show how misled Huntington’s thesis can be by referring to forms of humanism from Africa as well as to some ideas developed in Arabian-Islamic philosophy. In the early 1930s, African intellectuals such as Léopold Sédar Senghor or Aimé Césaire already tried to oppose their own conception of humanism to Western individualistic humanism. The distinction can be found in the concept of Ubuntu, or “African humanism,” which incorporates notions of respect for the other, collective responsibility and solidarity. The Arab-Islamic world has also had similar concerns from an early stage. Its heritage from classical Greek philosophy, which placed human being at the centre of its thinking and ethical acting, came indeed under the significant influence of Islamic values, such as equality, fraternity and the community.\u0000Thus the essay offers an alternative to Huntington’s post-modern model of “clash of civilizations” beyond the frontiers set by Western humanism and that is more relevant to our current globalising world – a new trans- and intercultural humanism that favours the ways human beings can relate to each other as persons regardless of race, culture and religion. Human dignity and respect for the “other,” including the environment, are therefore central to this new humanism.","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"192 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132876770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mortal Vocabularies vs. Immortal Propositions","authors":"Katerina Reed-Tsocha","doi":"10.1163/24683949-00102004","DOIUrl":"https://doi.org/10.1163/24683949-00102004","url":null,"abstract":"Over thirty years ago, Richard Rorty’s Philosophy and the Mirror of Nature declared the demise of epistemology and the arrival of a new post-Philosophical era. Rorty envisaged the intellectual activity of this predominantly literary culture as an unconstrained large-scale conversation that would flourish in an “ecstasy of spiritual freedom.” Having abandoned all systematic pretensions, edifying philosophers would add their voice to the conversation of mankind, fully aware of the radical incommensurability of the mortal vocabularies they employ. In an attempt to evaluate this radical proposal, the first part of this essay argues that some of Rorty’s most memorable utopian statements are far-fetched, rhetorical and often exaggerated to the point that they damage his broad humanistic vision. Building on this, the second part discusses the “missed potential” of Rorty’s excessively broad notion of a conversation of mankind and of the uncompromisingly anti-essentialist and anti-foundationalist reorientation that he proposes.","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117097628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Architecture – A Worldly Stage","authors":"J. Erzen","doi":"10.1163/24683949-00101006","DOIUrl":"https://doi.org/10.1163/24683949-00101006","url":null,"abstract":"This essay attempts to illustrate the vital dialogue there is between architecture and theatre, not only in the sense that the former resembles a worldly stage but also in the way it intentionally designates spaces for events to be seen and experienced. The origins of architecture go back to the erection of spaces to facilitate the dialogue between humans and gods. The stage is the embodiment and objectification of the flow of life. It makes it possible to contemplate both the present and the past thereby creating narratives. Architecture is also a mediator for us to observe our own actions. The theatrical quality of space in relation to the movements of the body and the bodily perceptions of spatial elements, leads to an active participation in the unfolding of meanings. The city has not only been defined as theatre by many urbanists; it has also throughout history been designed and formed as a natural stage. Baroque Rome, the impressionists’ paintings of Paris, or Byzantine Constantinople with its many spectacles illustrate well this dimension of the city.","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131390446","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}