Culture and Dialogue最新文献_第3页

Editorial: French Thought in Dialogue 社论:对话中的法国思想

Culture and Dialogue Pub Date : 2021-12-23 DOI: 10.1163/24683949-12340101

G. Cipriani

引用次数: 0

Trans-Religious Dancing Dialogues: Michel Henry on Dionysus and the Crucified 跨宗教舞蹈对话:米歇尔·亨利谈酒神与被钉十字架

Culture and Dialogue Pub Date : 2021-12-23 DOI: 10.1163/24683949-12340106

Joshua M. Hall

{"title":"Trans-Religious Dancing Dialogues: Michel Henry on Dionysus and the Crucified","authors":"Joshua M. Hall","doi":"10.1163/24683949-12340106","DOIUrl":"https://doi.org/10.1163/24683949-12340106","url":null,"abstract":"Perhaps owing to frictions between his Christological worldview and the dominant secularism of contemporary French thought as taken up in the U.S., and persistent worries about a seeming solipsism in his phenomenology, Michel Henry’s innovative contributions to aesthetics have received unfortunately little attention in English. The present investigation addresses both issues simultaneously with a new interpretation of his recently-translated 1996 interview, “Art and Phenomenology.” Inspired by this special issue’s theme, “French Thought in Dialogue,” it emphasizes four levels of dialogue in the interview, as follows: (1) the interview as such, with Jean-Marie Brohm; (2) its titular dialogue between art and phenomenology; (3) what I term a “trans-religious” dialogue between Christianity’s Jesus and Friedrich Nietzsche’s Dionysus; and (4) a related dialogue between painting (Henry’s favored genre) and dance that is “Dionysian” (in Nietzsche’s sense). It concludes with new phenomenological accounts of a literal and a figurative dance, namely the social Latin dance called bachata, and an improvised musical dialogue with the mockingbirds of my hometown. In sum, thanks to Henry’s engagement with various forms of dialogue, including with Brohm, the arts, paganism, and dance, one can find room in his transcendental subjectivity of Life for others, dancingly transcending even humanity.","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122269304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A Century of Dialogue around Durkheim as a Founding Father of the Social Sciences 围绕迪尔凯姆作为社会科学奠基人的百年对话

Culture and Dialogue Pub Date : 2021-12-23 DOI: 10.1163/24683949-12340103

W. van Binsbergen

{"title":"A Century of Dialogue around Durkheim as a Founding Father of the Social Sciences","authors":"W. van Binsbergen","doi":"10.1163/24683949-12340103","DOIUrl":"https://doi.org/10.1163/24683949-12340103","url":null,"abstract":"\u0000In 2012 social scientists, philosophers and religious scientists celebrated the centennial of the publication of one of the most seminal books in the modern study of religion, Les formes élémentaires de la vie religieuse, by the then leading French sociologist Emile Durkheim’s (1858–1917); in 2017, we commemorated that author’s untimely death at age 59, broken by World War I in which he lost his only son and many of his beloved students. Educated, first as a Rabinnical student then as a modern philosopher, Durkheim earned his place among French thinkers primarily as a “founding father” of the social sciences. Having recently (on the basis of a life-long preoccupation) devoted a book-length study to Durkheim’s religion theory, I intend in this essay to highlight major aspects of Durkheim as an exponent of French thought. I shall first briefly situate Durkheim in his time and age, with special emphasis on his political views and his ethnic identity as a secularised Jew. Then I turn to Durkheim’s relation with the discipline in which he was originally trained, philosophy. I shall pay attention to the complex relationship between Durkheim and Kant and further highlight his dualism, epistemology, and views on primitive classification, as well as his puzzling realism, the place of emergence in his thought, and his moralist tendencies. I shall finally articulate Durkheim’s transition to sociology and how he gave over the torch of emerging sociology to his main students, having thus created an adequate context in which to discuss Durkheim’s final masterpiece (Les formes) and the still dominant theory of religion it expounds.","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130762731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Foucault and Chomsky on Grammar and Governmentality 福柯与乔姆斯基论语法与治理

Culture and Dialogue Pub Date : 2021-12-23 DOI: 10.1163/24683949-12340108

Conor Barry

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Édouard Glissant, Philosopher: Heraclitus and Hegel in the Whole-World, written by Alexandre Leupin and translated by Andrew Brown Édouard格利桑特，《哲学家:赫拉克利特和黑格尔在整个世界》，亚历山大·勒平著，安德鲁·布朗译

Culture and Dialogue Pub Date : 2021-12-23 DOI: 10.1163/24683949-12340109

Robert Clarke

引用次数: 0

Perspective, the Visible and the Invisible in Chinese Paintings: A Response to Jean-Luc Marion 的角度来看,中国画的有形和无形的:让-吕克·马里昂的响应

Culture and Dialogue Pub Date : 2021-12-23 DOI: 10.1163/24683949-12340104

Man-to Tang

引用次数: 1

COVID-19 Viral Logics, Social Inequality and Hegemonic Mimicry: Deconstructing the Language of Cultural Parasite COVID-19病毒逻辑、社会不平等与霸权模仿:解构文化寄生虫的语言

Culture and Dialogue Pub Date : 2021-12-23 DOI: 10.1163/24683949-12340107

Wisam Kh. Abdul-Jabbar

{"title":"COVID-19 Viral Logics, Social Inequality and Hegemonic Mimicry: Deconstructing the Language of Cultural Parasite","authors":"Wisam Kh. Abdul-Jabbar","doi":"10.1163/24683949-12340107","DOIUrl":"https://doi.org/10.1163/24683949-12340107","url":null,"abstract":"\u0000Drawing on Michel Serres’ philosophical notion of the parasite, this essay examines human responses to COVID-19 that mimic parasitic behavior and uncovers social inequalities by exploring the cultural hegemony of viral logics perpetuated by the media. How can Serres’ notion of the parasite help us reconfigure structural inequalities experienced during the COVID-19 pandemic? First, the essay examines the viral logic of internalization, which seeks to normalize, if not appropriate, the impact of the pandemic through the rhetoric of togetherness. This particular viral logic induces people to internalize the coronavirus pandemic’s illusion as a crisis shared equally by all. The essay argues that this viral logic of internationalization resonates with the French philosopher’s parasite logic, which, in Serres’s words, “expresses a new epistemology, another theory of equilibrium.” Second, this study examines the viral logic of correlation, which designates certain marginalized cultural groups as infected, and therefore regarded and (mis)treated like the virus itself. This blame-game behavior mimics the parasite’s violation of the host’s chain of order and the creation of a new order that is self-serving. Hence, the parasite becomes, according to Serres, “an interruption, a corruption, a rupture of information.” The essay argues that although mimicry becomes the theatre of cultural inequality that dominates communication for the parasitic operator, both viral logics of parasitic mimicry eventually slip into mockery.","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126708917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Lucky Philip Dube: The Artiste in Search of a New Jurisprudence and Subaltern Redemption 拉奇·菲利普·杜贝:寻找新法理学和次等救赎的艺术家

Culture and Dialogue Pub Date : 2021-10-19 DOI: 10.1163/24683949-12340095

E. N. Zuhmboshi

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Music, Ontology and the Need for History: A Critical Discussion 音乐、本体论与对历史的需要:一个批判性的讨论

Culture and Dialogue Pub Date : 2021-10-19 DOI: 10.1163/24683949-12340093

L. Giombini

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A Cultural Synaesthesia from the Prism of Raphael’s “School of Athens”: Visual Art, Music, Philosophy 从拉斐尔的“雅典学派”棱镜看文化联觉:视觉艺术，音乐，哲学

Culture and Dialogue Pub Date : 2021-10-19 DOI: 10.1163/24683949-12340097

A. Masliakova

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