Literatura i Kultura Popularna最新文献_第7页

O elementach fantastyki w literaturze XVI i XVII wieku. Wizje niezwykłych krain, państw i miast 关于 16 和 17 世纪文学中的幻想元素。对非凡土地、国家和城市的想象

Literatura i Kultura Popularna Pub Date : 2021-12-29 DOI: 10.19195/0867-7441.27.10

A. Maciejewska

引用次数: 0

Nastoletnia krucjata przeciwko dorosłym i kulturze popularnej w „Los poseídos de Luna Picante” Martína Sancii

Literatura i Kultura Popularna Pub Date : 2021-12-29 DOI: 10.19195/0867-7441.27.4

K. Stępień

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Magiczno-religijna mozaika. Źródła obrazów postaci bogów Krain Wewnętrznego Morza z „Sagi o Zbóju Twardokęsku” Anny Brzezińskiej

Literatura i Kultura Popularna Pub Date : 2021-12-29 DOI: 10.19195/0867-7441.27.16

Dorota Ucherek

{"title":"Magiczno-religijna mozaika. Źródła obrazów postaci bogów Krain Wewnętrznego Morza z „Sagi o Zbóju Twardokęsku” Anny Brzezińskiej","authors":"Dorota Ucherek","doi":"10.19195/0867-7441.27.16","DOIUrl":"https://doi.org/10.19195/0867-7441.27.16","url":null,"abstract":"The aim of this article is to find the sources of images of the Inner Sea Lands gods in Anna Brzezińska’s “Saga of Twardokęsek the Brigand”. The author presents the most important features of these characters, their most recognizable actions and attributes, comparing them with possible prototypes derived from Greek, Roman, Scandinavian, Slavic, and Hindu mythology, as well as Christianity. She points out that the gods in Brzezińska’s saga, although worshipped, are not omnipotent and do not possess full creative powers. They turn out to be only slightly more powerful than their off spring, the fruit of their relationships with humans — witches. Shaping human fates, they are only able to recreate ancient patterns over and over again and are subject to a higher power (similarly to how the Greek gods were subject to Fatum). In their images, we can also find traces of inspiration from the classic mythopoetic fantasy, especially Ursula K. Le Guin’s series about the Earthsea. Thus, these images can be seen as a magical-religious mosaic, which evokes associations with the considerations of classical anthropology on the relations between magic and religion. The author also puts forward the hypothesis about treating these images as a metaphor for the process of creating literature, especially in its original, oral form.","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128967727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Koszmar władzy. Potworność we „Wrońcu” Jacka Dukaja

Literatura i Kultura Popularna Pub Date : 2021-12-29 DOI: 10.19195/0867-7441.27.7

Natalia Panuszewska

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Nikczemne skrzaty i inne (nie)baśniowe potworności dzieciństwa w „Złodziejach snów” Małgorzaty Strękowskiej-Zaremby

Literatura i Kultura Popularna Pub Date : 2021-12-29 DOI: 10.19195/0867-7441.27.8

Maciej Skowera

{"title":"Nikczemne skrzaty i inne (nie)baśniowe potworności dzieciństwa w „Złodziejach snów” Małgorzaty Strękowskiej-Zaremby","authors":"Maciej Skowera","doi":"10.19195/0867-7441.27.8","DOIUrl":"https://doi.org/10.19195/0867-7441.27.8","url":null,"abstract":"The first part of the article provides a short outline of the works by Małgorzata Strękowska-Zaremba, a well-known and critically acclaimed Polish children’s author, and gives special attention to her interest in certain popular literature genres. Among her works, a prominent place is occupied by three books in which the writer uses various genres and conventions of the fantastic to discuss important real-life problems: parents’ divorce and homelessness in Złodzieje snów [The Dream Stealers] (2008/2019), domestic violence in Dom nie z tej ziemi [The Otherworldly House] (2017), and depression in Lilana (2019). The main part of the paper covers an analysis of Złodzieje snów, which is focused on monsterological plots and motifs shown in the context of the use of fairytale conventions in the book. Strękowska-Zaremba utilises the figure of demonic gnomes (derived from French folklore) who in the story are believed to have stolen the dreams of the protagonist, little Basia, after her parents separated. However, as the author of the article claims in its last part, in Złodzieje snów, these creatures from the folk imagery are much less monstrous than real-life problems, including separation and divorce, loneliness, and homelessness. This also applies to Dom nie z tej ziemi and Lilana, which is briefly stated in the conclusion.","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125946590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

„Biorę życie i zamieniam w idealny kamień” — rzecz o warszawskim Bazyliszku

Literatura i Kultura Popularna Pub Date : 2021-12-29 DOI: 10.19195/0867-7441.27.5

Marta Niewieczerzał

{"title":"„Biorę życie i zamieniam w idealny kamień” — rzecz o warszawskim Bazyliszku","authors":"Marta Niewieczerzał","doi":"10.19195/0867-7441.27.5","DOIUrl":"https://doi.org/10.19195/0867-7441.27.5","url":null,"abstract":"The paper aims to examine images of the Basilisk in Polish children’s and young adult literature. It also compares the monster’s image known from traditional urban legends with its depictions in their postmodern versions. In the original variants of the legends, this creature takes various forms — supposed to be a monster that hatches from the egg laid by a rooster, it is often described as an animal the size of a hen, with a turkey neck and head and a frog’s eyes; partially a cock, partially a reptile, etc. The hybrid image of the Basilisk allows the elements of its characteristics to be used in later versions of the story and its re-workings. The analysis herein focuses on Legendy Warszawskie. Antologia [Warsaw Legends: An Anthology] (2016) which presents six versions of the Basilisk’s legend. These texts are juxtaposed with the project “Legends of Poland” by Allegro (e-book and a short movie Operacja Bazyliszek [Operation Basilisk]), as well as with the novel Felix, Net i Nika oraz Pułapka Nieśmiertelności [Felix, Net and Nika and the Trap of Immortality] (2007) by Rafał Kosik, and Księga Potworów [The Book of Monsters] (2016) by Michał Rusinek. The author concludes that the Basilisk may be seen as a transfictional figure that transcends the boundaries of the original storyworld, which shows that — as many other legendary monsters — it should be seen not as a past phenomenon, but rather as something that still “lives” in culture and constantly evolves.","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128166047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Motywacja metamorfozy a potworność cielesna i duchowa w wybranych realizacjach wątku „Pięknej i Bestii”

Literatura i Kultura Popularna Pub Date : 2021-12-29 DOI: 10.19195/0867-7441.27.2

B. Kaczyńska

{"title":"Motywacja metamorfozy a potworność cielesna i duchowa w wybranych realizacjach wątku „Pięknej i Bestii”","authors":"B. Kaczyńska","doi":"10.19195/0867-7441.27.2","DOIUrl":"https://doi.org/10.19195/0867-7441.27.2","url":null,"abstract":"The article discusses the motivations of the monstrous metamorphosis in some Beauty and the Beast retellings, chiefly those by Gabrielle-Suzanne de Villeneuve (1740), Jeanne-Marie Leprince de Beaumont (1756), Alex Flinn (2007), and Małgorzata Musierowicz (1996). Other versions are mentioned as a broader context. The aim of the article is to observe a correlation between transmotivation and a retelling’s structure and message. \u0000While folk versions usually omit the motivation altogether, literary and film retellings often provide in-depth explanations of the transformation. In the 18th-century fairy tales, the metamorphosis is a villainy inflicted on an innocent victim, and Beauty has to see through the monstrous appearance in order to realize the true, internal beauty of the Beast. Retellings from the 20th and 21st centuries, on the other hand, often present the metamorphosis as a comeuppance for some emotional and moral fault. Physical deformity reflects spiritual monstrosity, and the Beast’s struggle with the latter helps him become free of the former. As a consequence, transmotivation implies a shift in the narrative from Beauty’s experience to the Beast’s internal change. This may be due to the didactic tradition of the fairy tale for children, in which the hero is tested and disciplined, as well as the influence of the modern novel, focused on individual characters’ psychology","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"16 37-38","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114044597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Szekspirowskie przywołania w polskiej literaturze kryminalnej (rekonesans)

Literatura i Kultura Popularna Pub Date : 2021-12-29 DOI: 10.19195/0867-7441.27.13

A. Mazurkiewicz

{"title":"Szekspirowskie przywołania w polskiej literaturze kryminalnej (rekonesans)","authors":"A. Mazurkiewicz","doi":"10.19195/0867-7441.27.13","DOIUrl":"https://doi.org/10.19195/0867-7441.27.13","url":null,"abstract":"Taking into consideration the variety of Shakespearean elements both in world and Polish literature, it is hard to resist the impression that it is the phenomenon without which European culture would be impossible to imagine. At the same time, the writer — whose works not only constitute an important part of Western culture and determine its canon, but also have an influence on current, globalised culture — is perceived as a “dangerous trap”. The above-mentioned danger seems to derive, paradoxically, from the ubiquity of Shakespeare’s works, which are used as a point of reference for modern stories and sometimes treated instrumentally as the “culture brand”. However, it is important to determine if the reception of Shakespeare — present in the socio-cultural aesthetics as well as in the area of paratheatrical avant-garde — among Polish audience is followed by the pop-cultural assimilation of his works. \u0000The success on the market of crime fiction whose authors relate to Shakespeare’s works implies the reductio ad absurdum question: how much of Shakespeare remains in these Shakespearean inspirations? Are they really inspirations or is Shakespeare only the brand-author who, due to his name, elevates a given text on the cultural level? If that was the case, we would be experiencing the branding after the pattern of culturally imposed stereotypes. They are in turn assimilated by the popular culture and have a significant impact on the everyday behaviours of the readers — including their attitude towards the past. Thus, tracking the Shakespearean traces within this cultural circuit usually remains a “wishful thinking”, while countless Polish stories (or the ones that the readers know from translations into the Polish language) about “crime and punishment” are the exceptions that prove the rule.","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128659185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

„Jutro należy do kotów”. Problemy (eco) science fiction w powieści Bernarda Werbera

Literatura i Kultura Popularna Pub Date : 2021-12-29 DOI: 10.19195/0867-7441.27.18

Adriana Dziemitko

{"title":"„Jutro należy do kotów”. Problemy (eco) science fiction w powieści Bernarda Werbera","authors":"Adriana Dziemitko","doi":"10.19195/0867-7441.27.18","DOIUrl":"https://doi.org/10.19195/0867-7441.27.18","url":null,"abstract":"Why tomorrow should not belong to humans, but to another species? Science fiction seems to answer this question with alarmingly accurate arguments. SF texts often seem like prophecies that predict the future. We most willingly accept visions in which man is the author of innovative technologies as well as cultural and economic progress. What if this development is not ascribed to the human race, but for example: to monkeys or cats? The classic repertoire of science fiction heroes, apart from humans, includes robots, cyborgs, androids or newcomers from another planet (aliens). Their humanoid character — anthropomorphic features of appearance, behavior, development of the species in the form of created (or mid creation) civilization and culture — is designed to break the anthropocentric view of man. The function of the Other in science fiction can, however, be taken over by a creature much closer and longer known to man than a newcomer from a foreign planet or a creature of highly developed technology — an animal. The essay is an attempt to analyze Bernard Werber’s novel Tomorrow the cats from the perspective of general science fiction and ecofiction issues. At the same time, the issue of species chauvinism and the ways in which it manifests itself in literature are discussed.","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133590049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

„Złociejowo” Katarzyny Ryrych — czy powieść o kryzysie współczesnej cywilizacji?

Literatura i Kultura Popularna Pub Date : 2021-12-29 DOI: 10.19195/0867-7441.27.9

J. Lichański

引用次数: 0