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Ausweichung und Modulation in Generalbassschulen um 1700 公元1700年，教会控制军备消耗
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.216
Thomas Synofzik
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引用次数: 0
Debussys Streichquartett – ein Werk gegen die Akademie? 德布西的弦乐四重唱居然是为了学院
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.161
Andreas Winkler
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引用次数: 0
»Die reden die ganze Zeit von Quarten und Oktaven und bei uns steht nur etwas von Terz-Sext-Klängen.«. Binnendifferenzierung im Musiktheorieunterricht »说个不停Quarten和和音中除了我们写下Terz-Sext-Klängen .«.在音乐上有分歧
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.148
Stefan Garthoff
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引用次数: 0
Der Kern liegt irgendwo dazwischen. Die Beziehung zwischen Struktur und Hörerfahrung in Weberns Spätwerk 坏核在那中间结构和听力经验之间的关系
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.121
Balz Trümpy
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引用次数: 0
Wie kann ›Historische Improvisation‹ sein?. Vier Stichproben aus Basso-ostinato-Stücken als Inspirationsquellen ‹觅食›历史怎么可能? .“四件篮子
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.125
M. Erhardt
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引用次数: 0
Thinking through the Body. Music Theory for the Performer 通过身体思考。《演奏家乐理
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.77
George Papageorgiou
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引用次数: 0
Individualstilistik und Zeittypik. Über Brahms’ semantische Toposbildung im Umgang mit satztechnischen Modellen 个体主义和时间典型化关于Brahms的语义背景音乐模型的研究
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.114
Andreas Ickstadt
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引用次数: 0
Editor’s Preface 编者前言
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.57
Christian Utz
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引用次数: 0
›Bach-Choral‹ – Ästhetische Ansprüche und Grenzen des Tonsatzunterrichts ›Bach-Choral‹——要求的美观与Tonsatzunterrichts界限
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.108
Ariane Jeßulat
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引用次数: 0
Reger, Riemann und die neo-riemannian theory 雷格，黎曼和新黎曼理论
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.124
Jan Philipp Sprick
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引用次数: 0
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