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Werkanalyse und Höranalyse 人类学和听力分析
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.120
Hartmut Fladt
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引用次数: 0
Instrumentation als Zitat und Zeichen. Narrative Effekte in Orchesterbearbeitungen 使唤引用和标记乐曲的叙事效果
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.152
Julian Caskel
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引用次数: 0
“Atonal” Motifs and the Presentation of the Musical Idea. Approaching a Historically Sensitive Analysis of Arnold Schönberg’s Works between 1909 and 1912 “无调性”母题与音乐理念的呈现。接近阿诺德Schönberg 1909年至1912年作品的历史敏感分析
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.66
J. D. Jenkins
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引用次数: 0
Polyphonie oder Kontrapunkt. Zu einer vergessenen begrifflichen Unterscheidung 多调或重音变成了一个失落的词
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.184
Mario Schmidt
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引用次数: 0
Höranalyse als Zugang zu Neuer Musik. Perspektiven und Grenzen 听力分析是调配新音乐的工具观点与局限
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.149
Florian Edler
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引用次数: 0
No Adornian Godfather?. A Search for a Comparable British Figure in Music Aesthetics 没有阿道夫教父?寻找英国音乐美学的可比人物
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.75
Raphael D. Thöne
{"title":"No Adornian Godfather?. A Search for a Comparable British Figure in Music Aesthetics","authors":"Raphael D. Thöne","doi":"10.31751/p.75","DOIUrl":"https://doi.org/10.31751/p.75","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":"165 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116129348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
»Sie wissen das nicht, aber sie tun es.«. Zum Verhältnis von Komposition und Theoriebildung am Beispiel des Komponisten Mathias Spahlinger und der »musique concrète instrumentale« »她知道,但你能做到.«.关系的创作手法和Theoriebildung耶斯作曲家的例子正好Spahlinger和»musique concrè调遣instrumentale«
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.135
Jörg Mainka
{"title":"»Sie wissen das nicht, aber sie tun es.«. Zum Verhältnis von Komposition und Theoriebildung am Beispiel des Komponisten Mathias Spahlinger und der »musique concrète instrumentale«","authors":"Jörg Mainka","doi":"10.31751/p.135","DOIUrl":"https://doi.org/10.31751/p.135","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127292640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vorwort
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.38
C. Utz
{"title":"Vorwort","authors":"C. Utz","doi":"10.31751/p.38","DOIUrl":"https://doi.org/10.31751/p.38","url":null,"abstract":"","PeriodicalId":106201,"journal":{"name":"GMTH Proceedings","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127985352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rationale Strukturen in freien improvisatorischen Instrumentalformen am Beispiel venezianischer Tokkaten und Intonationen im ausgehenden 16. Jahrhundert 利用自由即兴仪表的有理结构可分为威尼斯烤饼和16架钢琴世纪
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.157
Kateryna Schöning
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引用次数: 0
Sciarrinos analytischer Blick. Kategorien der Wahrnehmung in »Le figure della Musica da Beethoven a oggi« 分析眼神类别执行在»Le大块头della门票在贝多芬a奥崎«
GMTH Proceedings Pub Date : 1900-01-01 DOI: 10.31751/p.136
M. Roth
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引用次数: 0
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