Afterword: Me, The Faerie Queene, and Critical Race Theory

Q1 Arts and Humanities
Spenser Studies Pub Date : 2021-01-01 DOI:10.1086/711923
Ayanna Thompson
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引用次数: 1

Abstract

Why isn’t there already a rich body of premodern critical race studies of Spenser? The Faerie Queene, after all, is 430 years old, and premodern critical race studies is at least 50 years old. The epic poem has a rich and diverse cast of characters with both different religious and racial affiliations. This special edition marks a watershed moment in Spenser studies, but why has it taken until 2021 to achieve this? The answer, I think, stems from the way the racecraft of Spenser studies conceals the affiliation of its racism and inequality. The afterword explores these issues, and points toward future directions.
后记:《我、仙后与批判种族理论》
为什么还没有大量关于斯宾塞的前现代批判种族研究?毕竟,《仙后》已经有430年的历史了,而前现代批判种族研究至少有50年的历史。这部史诗中有丰富多样的人物,他们既有不同的宗教信仰,也有不同的种族背景。这个特别版标志着斯宾塞研究的一个分水岭,但为什么直到2021年才实现这一目标?我认为,答案源于斯宾塞的研究方法掩盖了种族主义和不平等之间的联系。后记探讨了这些问题,并指出了未来的方向。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Spenser Studies
Spenser Studies Arts and Humanities-Literature and Literary Theory
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