“The Moscow Miracle”: a Representation of the “Nineties” in the TV Program “Namedni”

Elizaveta Volkova, Darya Khlevnyuk
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引用次数: 1

Abstract

The article is devoted to the study of the memory of the 1990s in Russia. The main purpose is to determine the significance of television documentary films, namely the television project “Namedni”, in the process of shaping the memory of Russians about the initial stage of post-Soviet Russia. The episodes of the program “Namedni”, devoted to the period from 1990 to 1999, have been analyzed. The qualitative content analysis of the series was conducted on the basis of the thematic categories: politics, social sphere, economy, culture (sports) and the subject criteria: story title, content, timing, personalities and key details, as well as the organization of the story. The predominantly negative perception of the period of the “nineties” in Russia is not confirmed in the episodes of the program “Namedni”. Political and economic themes predominate in most of the episodes, and the 1990s are presented as an optimistic “era of change”, symbolizing a fleeting transition from the old to a potentially positive and bright new. The ambiguity of the positive image of the 1990s is determined by the low attention of the authors of the program to the events of the regional scale, most of the subjects refer to either global or the capital city events of the past.
“莫斯科奇迹”:电视节目《Namedni》对“90年代”的再现
这篇文章致力于对俄罗斯20世纪90年代的记忆进行研究。主要目的是确定电视纪录片,即电视项目“Namedni”在塑造俄罗斯人关于后苏联初期俄罗斯的记忆过程中的意义。本文分析了1990年至1999年期间的《Namedni》节目。对该系列的定性内容分析是根据主题类别:政治,社会领域,经济,文化(体育)和主题标准:故事标题,内容,时间,人物和关键细节以及故事组织进行的。对俄罗斯“九十年代”时期的主要负面看法在节目“Namedni”的剧集中没有得到证实。政治和经济主题在大多数情节中占主导地位,20世纪90年代被呈现为一个乐观的“变革时代”,象征着从旧到潜在的积极和光明的新短暂过渡。20世纪90年代积极形象的模糊性是由节目作者对区域尺度事件的低关注决定的,大多数主题是指过去的全球或首都事件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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