Trying Portia

IF 0.1 0 ARCHAEOLOGY
Carol Chillington Rutter
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引用次数: 0

Abstract

Extraordinary in itself, the 2016 performance of The Merchant in the Venetian Ghetto produced an equally extraordinary collateral performance. Staged in the Scuola Grande di San Rocco, a ‘Mock Appeal in the Matter of Shylock vs Antonio’ was heard by a bench presided over by Ruth Bader Ginsberg. A curious aspect of the Appeal was that Portia made an appellee. This essay investigates the decision to try Portia. What cultural, political, religious needs were served by bringing Portia into court? Thinking about Justice and Mercy, law, bonds, and love, this essay asks: when the verdict was pronounced, was antisemitism recuperated by misogyny?
在波西亚
2016年《威尼斯犹太人区商人》的演出本身就很出色,也带来了同样出色的附带表演。在圣罗科大法院举行的“夏洛克诉安东尼奥案模拟上诉”由露丝·巴德·金斯伯格主持。上诉的一个奇怪的方面是鲍西娅提出了一个被上诉人。这篇文章调查了审判鲍西娅的决定。把鲍西娅带到法庭是为了满足什么样的文化、政治和宗教需求?思考正义与仁慈、法律、纽带和爱,这篇文章问道:当判决宣布时,反犹太主义是否因厌女症而恢复?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.70
自引率
66.70%
发文量
8
审稿时长
5 weeks
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