{"title":"VIAJE AL FIN DE LA NOCHE. VISIONES DE LO MONSTRUOSO","authors":"Alberto Ruiz de Samaniego","doi":"10.15304/quintana..8591","DOIUrl":null,"url":null,"abstract":"Si la pandemia ha sido monstruosa y nos ha obligado a replantearnos nuestra existencia, no solo es porque lo monstruoso se defina como lo que aparece sin haberse previsto, sino porque el modo de existencia de la humanidad ha tenido que ver, desde siempre, con la amenaza de extinción y con la frontera de una vida que se proyecta en el límite. A ese límite de lo real suele apelar tanto el mito como la representación artística, pero tampoco conviene confundir la actual inflación de representaciones con semejante proyección.","PeriodicalId":55925,"journal":{"name":"Quintana-Revista do Departamento de Historia da Arte","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Quintana-Revista do Departamento de Historia da Arte","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15304/quintana..8591","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
Si la pandemia ha sido monstruosa y nos ha obligado a replantearnos nuestra existencia, no solo es porque lo monstruoso se defina como lo que aparece sin haberse previsto, sino porque el modo de existencia de la humanidad ha tenido que ver, desde siempre, con la amenaza de extinción y con la frontera de una vida que se proyecta en el límite. A ese límite de lo real suele apelar tanto el mito como la representación artística, pero tampoco conviene confundir la actual inflación de representaciones con semejante proyección.
期刊介绍:
QUINTANA is a journal about the history of art, issued annually, which publishes original research papers about any of the specialities related to the Arts, including interdisciplinary approaches that enrich their study. The publication of research papers is structured in two sections: the first one -SUBJECT- is of a monographic character, and its content is planned beforehand by the Editorial Board, who invites well-known specialists in the chosen theme, whilst the second one -ARTICLES- is open to contributions about any theme. The papers which are presented in the ARTICLES section will be subjected to assessment using a double-blind review process with anonymity for both authors and reviewers (peer-review process). The journal will use two reviewers, members of the Scientific Committee or academic experts, to assess each article received, and will resort to a third reviewer in the case of discrepancy. The articles which are finally published will include reception and acceptance dates. The journal’s Director and the Editorial Board will have ultimate responsibility for the selection process, and will communicate the editorial decisions to the authors.