Lecturas cinematográficas de Cinco metros de poemas: un acercamiento intermedial a la obra de Carlos Oquendo de Amat

Abstract

Humanistic research acquires a new nuance in the analyses that involve languages from different artistic disciplines. Therefore, in this article, an intermedia analytical approach to the work Cinco metros de poemas by Carlos Oquendo de Amat is aimed at, starting from the movie strategies found in his poems, extracted from the semiology of the cinematographic discourse. This analytical point sheds light on the complex virtuosity of his work, applying the theories of camera