Nick Adams's Interior Monologues in Hemingway's "A Way You'll Never Be"

John Beall
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Abstract

Abstract:As Hemingway wrote to his editor, Maxwell Perkins, he once thought "A Way You'll Never Be" would give his collection, Winner Take Nothing, an action-packed tale. Instead, the story became what Hemingway described as a "hell of a difficult one." At the center of its difficulty and its power are interior monologues from the viewpoint of Nick Adams, who veers between memories of battles on the Italian front, memories of Paris, and dreams centered on a yellow house. In order to understand Nick's monologues, this essay explores four allusions in the story—to an Italian battle cry ("Savoia"), to a "teleferica," to Parisian night scenes, and to a yellow house. Hemingway completed a story whose difficulties are central to its powerful portrait of Nick's struggle for self-command.
尼克·亚当斯在海明威《你永远不会走的路》中的内心独白
摘要:海明威在写给编辑麦克斯韦·珀金斯的信中说,他曾以为《一条你永远不会成为的路》会让他的小说集《赢家一无所有》成为一个充满动感的故事。相反,这个故事变成了海明威所描述的“极其困难的故事”。影片难度和力量的核心是尼克·亚当斯(Nick Adams)的内心独白,他在意大利前线的战斗记忆、巴黎的记忆和以黄色房子为中心的梦想之间切换。为了理解尼克的独白,本文探讨了故事中的四个典喻——意大利的战斗口号(“Savoia”),“teleferica”,巴黎的夜景和黄色的房子。海明威完成了这个故事,其中的困难是尼克为自我控制而斗争的有力刻画的核心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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