Men Who Wear Make-up: Young Korean Men’s Masculinity Management in the Neoliberal Korea

IF 1.7 3区 社会学 Q2 SOCIOLOGY
Gowoon Jung
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引用次数: 0

Abstract

Scholars have debated whether hybrid masculinities perpetuate or challenge male dominance and power. This study advances such dialogue by unveiling the kernel of hybrid masculinities through careful examination of young Korean men’s narratives on how to manage appearance and dressing up, especially on wearing make-up. Findings suggest that young men narrate three approaches, namely, expressive, instrumental, and meritocratic, as a means to explain their perspectives on such practices. A close look into their statements on the rationales of dressing-up and wearing make-up—seemingly a social act of hybrid masculinities—shows that such behaviors are pathways to fortify masculine power whose roots intersect with the local socioeconomic structure. This study theoretically contributes to unveiling how the basis of male dominance and power intersects with the normative and pervasive ideal of the neoliberal self, suggesting traditional masculinities are concealed in the complex indigenous assemblage of neoliberalism and lookism.
化妆的男人:新自由主义韩国青年男性的男子气概管理
学者们一直在争论混血男性是延续还是挑战男性的统治和权力。这项研究通过仔细研究韩国年轻男性关于如何管理外表和打扮,尤其是化妆的叙述,揭示了混合男性气概的核心,从而推动了这种对话。研究结果表明,年轻男性叙述了三种方法,即表现型、工具型和精英型,作为解释他们对这种做法的看法的一种手段。仔细研究一下他们关于打扮和化妆的基本原理的陈述——这似乎是一种混合男性气质的社会行为——表明,这些行为是巩固男性权力的途径,其根源与当地的社会经济结构相交叉。这项研究在理论上有助于揭示男性支配和权力的基础如何与新自由主义自我的规范和普遍理想相交,表明传统的男性气质隐藏在新自由主义和外表主义的复杂本土组合中。
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来源期刊
Critical Sociology
Critical Sociology SOCIOLOGY-
CiteScore
3.70
自引率
5.30%
发文量
93
期刊介绍: Critical Sociology is an international peer reviewed journal that publishes the highest quality original research. Originally appearing as The Insurgent Sociologist, it grew out of the tumultuous times of the late 1960s and was a by-product of the "Sociology Liberation Movement" which erupted at the 1969 meetings of the American Sociological Association. At first publishing work mainly within the broadest boundaries of the Marxist tradition, over the past decade the journal has been home to articles informed by post-modern, feminist, cultural and other perspectives that critically evaluate the workings of the capitalist system and its impact on the world.
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