Ghosting Politics: Speechwriters, Speechmakers and the (Re)crafting of Identity

Q3 Social Sciences
M. Richardson
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引用次数: 3

Abstract

Despite public awareness of their role, speechwriters occupy an anxiously liminal position within the political process. As the ongoing dispute between former Australian prime minister Paul Keating and Don Watson over the Redfern Speech suggests, the authorship and ownership of speeches can be a fraught proposition, no matter the professional codes. Crafting and re-crafting identity places speechwriter and speechmaker in a relation of intense intimacy, one in which neither party may be comfortable and from which both may well emerge changed. Having written speeches for Jack Layton, former leader of the New Democratic Party of Canada, I know just how complex, uncertain and productive that relation can be. This article conceives of identity as transindividual, formed in the intensity and flux of encounter, and weaves together the personal and the critical to examine politics’ speechwriting ghost.
隐隐约约的政治:演讲稿撰写人、演讲稿作者和(重新)塑造身份
尽管公众意识到他们的角色,但演讲稿撰写人在政治过程中占据着令人焦虑的有限地位。正如澳大利亚前总理保罗·基廷(Paul Keating)和唐·沃森(Don Watson)围绕雷德芬演讲(Redfern Speech)的持续争论所表明的那样,无论职业准则如何,演讲的作者和所有权都可能是一个令人担忧的命题。塑造和重新塑造身份将演讲稿作者和演讲稿作者置于一种非常亲密的关系中,在这种关系中,任何一方都不会感到舒服,而且双方都很可能会发生变化。我曾为加拿大新民主党(New Democratic Party of Canada)前党魁杰克•莱顿(Jack Layton)写过演讲稿,我深知这种关系是多么复杂、不确定和富有成效。本文将身份视为一种跨个体的身份,在遭遇的强度和流动中形成,并将个人与批判性编织在一起,以审视政治演讲稿写作的幽灵。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
0
期刊介绍: Cultural Studies Review is a peer-reviewed journal devoted to the publication and circulation of quality thinking in cultural studies—in particular work that draws out new kinds of politics, as they emerge in diverse sites. We are interested in writing that shapes new relationships between social groups, cultural practices and forms of knowledge and which provides some account of the questions motivating its production. We welcome work from any discipline that meets these aims. Aware that new thinking in cultural studies may produce a new poetics we have a dedicated new writing section to encourage the publication of works of critical innovation, political intervention and creative textuality.
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