“New” Ukrainian Cinema in the Context of Contemporary Audiovisual Art

Abstract

The purpose of the research is to understand the contextual existence of the “new” Ukrainian cinema in the morphology of contemporary audiovisual art in Ukraine. The research methodology is based on the use of the method of morphological analysis, art history monitoring of modern problems of fiction, documentary and animation cinematography in Ukraine. The scientific novelty consists in a certain morphological systematization of the development of the “new” Ukrainian cinema and the identification of its place in the context of audiovisual art. Conclusions. As of today, the “new” Ukrainian cinema actively presents the main painful topics of Ukrainian society. At the same time, the animation cinema of Ukraine has a greater morphological potential, since it uses themes and expressive artistic means that are more adapted to the requirements of the modern world audiovisual market.