In Tracing the Order of Things: An Interview with Visual Artist Vanessa Donoso López

Vanessa López, F. Cashell
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引用次数: 0

Abstract

Catalonian artist Vanessa Donoso Lopez has been living and working in Dublin for much of her professional career. She exhibits widely, with successful solo shows this year in Kevin Kavanagh Gallery, Dublin, and Golden Thread Gallery, Belfast. Her practice is interdisciplinary and developed within a dialogical framework; exploring a variety of media and mechanisms as she moves from project to project, working with ceramics and paper, site-specific installation, sculpture, electronics and low-tech wearable technology. Conceptually Lopez attempts to negotiate the tension between cross-cultural identities and narratives, their instabilities and complexities, and their potential for the loss of identity and language. Her work is deeply connected to something that connects within us all; highlighting the movement of time as viewed through the lens of the metaphysical self—manifested, changed, reinvented or forgotten. Her creative approach showcases a sensitive awareness for the experiences she encounters as both migrant and researcher: one who moves between the familiar and the unknown, between landscape and history, and between the varying points of origin that shape and define us.  https://www.vanessadonosolopez.com/
追踪事物的秩序:对视觉艺术家凡妮莎·多诺索的采访López
加泰罗尼亚艺术家Vanessa Donoso Lopez的大部分职业生涯都在都柏林生活和工作。她的展览范围广泛,今年在都柏林的凯文·卡瓦纳画廊和贝尔法斯特的金线画廊举办了成功的个展。她的实践是跨学科的,并在对话框架内发展;她从一个项目转向另一个项目,探索各种媒体和机制,使用陶瓷和纸张,特定场地装置,雕塑,电子产品和低技术可穿戴技术。从概念上讲,洛佩兹试图探讨跨文化身份和叙事之间的紧张关系,它们的不稳定性和复杂性,以及它们对身份和语言丧失的潜在影响。她的作品与我们所有人内心深处的某种东西紧密相连;通过形而上学的自我表现、改变、重塑或被遗忘的镜头,突出时间的运动。她的创造性方法展示了她作为移民和研究者所遇到的经验的敏感意识:一个在熟悉和未知之间,在景观和历史之间,在塑造和定义我们的不同原点之间移动的人。https://www.vanessadonosolopez.com/
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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