Quantification of Cinematography Semiotics for Video-based Facial Emotion Recognition in the EmotiW 2015 Grand Challenge

Albert C. Cruz
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引用次数: 4

Abstract

The Emotion Recognition in the Wild challenge poses significant problems to state of the art auditory and visual affect quantification systems. To overcome the challenges, we investigate supplementary meta features based on film semiotics. Movie scenes are often presented and arranged in such a way as to amplify the emotion interpreted by the viewing audience. This technique is referred to as mise en scene in the film industry and involves strict and intentional control of color palette, light source color, and arrangement of actors and objects in the scene. To this end, two algorithms for extracting mise en scene information are proposed. Rule of thirds based motion history histograms detect motion along rule of thirds guidelines. Rule of thirds color layout descriptors compactly describe a scene at rule of thirds intersections. A comprehensive system is proposed that measures expression, emotion, vocalics, syntax, semantics, and film-based meta information. The proposed mise en scene features have a higher classification rate and ROC area than LBP-TOP features on the validation set of the EmotiW 2015 challenge. The complete system improves classification performance over the baseline algorithm by 3.17% on the testing set.
EmotiW 2015大挑战中基于视频的面部情感识别的电影摄影符号学量化
野外情感识别挑战对当前听觉和视觉情感量化系统提出了重大挑战。为了克服这些挑战,我们研究了基于电影符号学的补充元特征。电影场景的呈现和安排往往是为了放大观众所理解的情感。这种技术在电影工业中被称为mise en scene,涉及对调色板、光源颜色以及场景中演员和物体的安排的严格和有意的控制。为此,提出了两种场景信息提取算法。基于三分法则的运动历史直方图检测沿三分法则指导方针的运动。三分法则色彩布局描述符简洁地描述了三分法则交点处的场景。提出了一个综合的系统来测量表达、情感、语音、语法、语义和基于电影的元信息。在EmotiW 2015挑战的验证集上,所提出的场景特征比LBP-TOP特征具有更高的分类率和ROC面积。完整的系统在测试集上的分类性能比基线算法提高了3.17%。
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