Arsitektur dan Seni Candi Kedulan

Dwi Pradnyawan
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Abstract

The Kedulan Temple, which was completely restored in 2019, showed many new things to be observed, moreover the discovery of three inscriptions on the inner courtyard of the temple made it even more interesting to study. This paper will discuss the architectural and artistic aspects of the Kedulan Temple and its relation to the inscriptions found with the aim of looking at the characteristics of architecture and art and their relation to the periodization of the Kedulan Temple. The research method used is descriptive analysis with an emphasis on comparative analysis of architectural forms and decorative arts. The studies that have been carried out showed that the Kedulan Temple is a model of a Hindu-Shiva temple with distinctive architectural characteristics and has decorative motifs that are in harmony with the year number of the inscription, namely in the second half of the 9th century AD (869 AD). Specifically, the decorative motifs of the Kedulan Temple prove that this temple is one of the youngest or belongs to the final phase of the Central Javanese art. Keywords: candi; architecture; decorative arts; inscriptions
大使馆的建筑和艺术
2019年全面修复的可都兰寺展示了许多新事物,而且在寺庙内院发现了三幅铭文,使其研究变得更加有趣。本文将探讨可都兰寺的建筑和艺术方面及其与发现的铭文的关系,目的是研究建筑和艺术的特点及其与可都兰寺分期的关系。使用的研究方法是描述性分析,重点是建筑形式和装饰艺术的比较分析。已经进行的研究表明,克都兰神庙是印度教湿婆神庙的典范,具有独特的建筑特征,其装饰图案与铭文的年份相协调,即公元9世纪下半叶(公元869年)。具体来说,可都兰寺的装饰图案证明了这座寺庙是最年轻的寺庙之一,或者属于中爪哇艺术的最后阶段。关键词:候选材料;体系结构;装饰艺术;铭文
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