The Analysis of Female Masculinity as a Form of Uprising in Song Lyric by Musician Ramengvrl

e-LinguaTera Pub Date : 2022-07-14 DOI:10.31253/lt.v2i1.1199
Maria Sisilia Sinta Saputra, Riris Mutiara Paulina Simamora
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Abstract

Ramengvrl is one of the female musicians in the world of hip-hop, in this thesis the writer chooses five songs. Those are “Im Da Man”, “Decide”, “I AM ME”, “Look At Me Now”, “Don’t Touch Me”. In order to analyze it, this research was conducted by using Female Masculinity and also Liberal Feminism theory. This research used qualitative methodology to analyze the song lyrics. This research sees how Ramengvrl wrote her lyrics as a media to express what she feels and thinks. Moreover, this research aims to find the concept of Female Masculinity depicted in song lyrics by Ramengvrl since she is working in the hip-hop industry where male domination is still quite strong. The research findings can be cited in the research literature in educational institutions and other places. It is also considered to be useful in a variety of ways.
音乐家拉曼格尔抒情歌曲中女性男性气质作为一种反抗形式的分析
Ramengvrl是嘻哈界的一位女音乐家,在本文中笔者选择了五首歌曲。这些是一个€€œIm Da法力,一个€œDecidea€,一个€œ我是€,一个€œ看着我现代”€,一个€œ小姐€™t触摸MEa€。为了对其进行分析,本研究运用了女性男性气质和自由女性主义理论。本研究采用定性方法对歌词进行分析。这项研究考察了Ramengvrl如何将歌词作为一种媒体来表达她的感受和想法。此外,由于Ramengvrl在男性主导仍然很强的嘻哈行业工作,因此本研究的目的是寻找Ramengvrl在歌词中所描绘的Female Masculinity概念。研究结果可在教育机构等地的研究文献中引用。它也被认为在很多方面都是有用的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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