A Light for a Light

IF 0.2 Q4 WOMENS STUDIES
Sandra Ruiz
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引用次数: 0

Abstract

How does loss tear a hole in the world and produce a collective remaking of a new social order in which grief-work is not contained singularly but is a process done in feminist, queer, and Black and Brown ensemble? Interested in how we deliberately incorporate loss into collective grief-work, this article pulls from feminist and queer theorists of color who move across social and psychical constructions of sorrow. Highlighting contemporary art by minoritarian artists such as Eva Margarita Reyes and Pedro Lopez, who embrace loss, the author argues that grief-work is a communal labor we undergo together in acts of intimate meditation, suffering, spillage, and transformation. Happening in feminist and queer ensemble, grief-work is a deliberate decision to assemble in nonlinear feelings and attachments; it is an intention to work together to defend not only the dead but also the living, tending to immaterial energies that shift the fecund terrain of both life and death.
以牙还牙
丧亲之痛是如何在世界上撕开一个洞,并产生一个新的社会秩序的集体重建,在这个社会秩序中,悲伤的工作不是单一的,而是在女权主义者、酷儿和黑人和布朗人的群体中完成的一个过程?这篇文章对我们如何有意识地将失去融入集体悲伤的工作感兴趣,从女权主义者和有色人种的酷儿理论家那里汲取了悲伤的社会和心理结构。作者强调了伊娃·玛格丽塔·雷耶斯和佩德罗·洛佩斯等拥抱失落的少数主义艺术家的当代艺术,认为悲伤工作是我们在亲密的冥想、痛苦、溢出和转变中共同经历的共同劳动。在女权主义者和酷儿群体中,悲伤工作是一个深思熟虑的决定,聚集在非线性的感情和依恋中;这是一个共同努力的意愿,不仅要保护死者,也要保护生者,倾向于非物质的能量,改变生命和死亡的肥沃地形。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
24
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