Unbearable Witness: Toward a Politics of Listening

IF 0.8 4区 社会学 Q3 CULTURAL STUDIES
Wendy H. Chun, S. Gauch, Kevin Mclaughlin, Lisa O’Connell, P. Thurschwell, K. Weil
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引用次数: 19

Abstract

On Wednesday, 6 December 1989, around 5 P.M., Marc Lepine (né Gamil Roderigue Gharbi) dressed in hunting garb entered a classroom in the École Polytechnique. Disturbing a presentation by Eric Chavarie, he waved a .22caliber rifle and ordered the men and women into opposite corners of the classroom. Thinking it was a joke arranged to relieve the tedium of the last hour of the term, no one moved. A single gunshot persuaded them otherwise. Next, Lepine ordered the men to leave. Alone with the women, he stated, "I am here to fight against feminism that is why I am here." Nathalie Provost, a 23year-old mechanical engineering student, argued, "Look, we are just women studying engineering, not necessarily feminists ready to march on the streets to shout we are against men, just students intent on leading a normal life." Lepine responded, "You're women, you're going to be engineers. You're all a bunch of feminists. I hate feminists." He then opened fire, killing six women-and closing the discussion. After leaving the classroom, Lepine stalked through the halls of the school saying, "I want the women." Lepine killed himself at approximately 5:35 p.m., his gun still loaded and the police not yet in sight. The total death count: fourteen women and Marc Lepine.
《无法忍受的见证:走向倾听的政治
1989年12月6日星期三下午5时左右,马克·勒平(奈尔·加米尔·罗德里格·加尔比饰)穿着狩猎服进入École综合理工学院的一间教室。他扰乱了埃里克·查瓦里(Eric Chavarie)的演讲,挥舞着一把点22口径的步枪,命令男女学生分别站到教室的两个角落。大家都以为这是为了缓解学期最后一个小时的沉闷而开的玩笑,所以谁也没动。一声枪响说服了他们。接着,勒平命令这些人离开。他单独对女性们说:“我来这里是为了反对女权主义,这就是我来这里的原因。”23岁的机械工程专业学生纳塔莉·普洛夫斯特(Nathalie Provost)说:“看,我们只是学习工程的女性,不一定是准备上街游行高呼反对男性的女权主义者,我们只是想过正常生活的学生。”勒平回答说:“你们是女人,你们要成为工程师。你们都是女权主义者。我讨厌女权主义者。”然后他开枪,杀死了六名妇女,结束了讨论。离开教室后,勒平大步走过学校的大厅,说:“我想要那些女人。”勒平大约在下午5点35分自杀,他的枪上了膛,警察还没有出现。死亡总人数:14名妇女和马克·勒平。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
5
期刊介绍: differences: A Journal of Feminist Cultural Studies first appeared in 1989 at the moment of a critical encounter—a head-on collision, one might say—of theories of difference (primarily Continental) and the politics of diversity (primarily American). In the ensuing years, the journal has established a critical forum where the problematic of differences is explored in texts ranging from the literary and the visual to the political and social. differences highlights theoretical debates across the disciplines that address the ways concepts and categories of difference—notably but not exclusively gender—operate within culture.
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