Medial catalexis in Sir Thomas Wyatt’s iambic pentameter

P. Bye
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Abstract

There is a reasonable scholarly consensus that the long (“heroic”) line of Sir Thomas Wyatt is an iambic pentameter. However, a significant number of his long lines are apparently syllabically hypometrical, calling into question this interpretation. The doubt is further compounded by Wyatt’s nontrivial use of phrase-medial inversions. I argue that it is nonetheless possible to infer an iambic pentameter intention behind Wyatt’s syllabically hypometrical lines, which can be ‘repaired’ by medial catalexis. Syllabically canonical lines are known to favour major prosodic breaks (Intonational Phrase boundaries) between the second and third foot and, to some extent, between the third and fourth. On the assumption that medial catalexis exploits the natural pauses that occur at the boundaries between Intonational Phrases, what emerges is a significant preference for catalexis to target the weak position of the third verse foot (half-line boundary), followed by the fourth (immediately following the verse-foot adjunct of the second half-line). The finding opens up further possibilities for understanding Wyatt’s other licences, and linguistically informed literary criticism of his verse. The final part of the paper offers some speculations as to the nature of medial catalexis and how it can be approached within a linguistically informed framework compatible with generative metrics.
托马斯·怀亚特爵士抑扬格五音步诗中的中间抑扬格
有一种合理的学术共识认为,托马斯·怀亚特爵士的长诗(“英雄”)是抑扬格的五音步诗。然而,他的大量长行显然是音节不对称的,这让人质疑这种解释。怀亚特对短语-内侧倒置的重要使用进一步加剧了这种怀疑。我认为,尽管如此,还是有可能推断出怀亚特音节低韵律行背后的抑扬格五音步意图,这可以通过中间错位来“修复”。众所周知,音节规范的线条在第二和第三步之间,在某种程度上,在第三和第四步之间倾向于主要的韵律中断(语调短语边界)。假设中间催化音利用了语调短语边界处的自然停顿,那么出现的是催化音明显倾向于针对第三节脚的弱位置(半行边界),然后是第四节脚(紧接第二节脚的半行附着物)。这一发现为理解怀亚特的其他特许开辟了进一步的可能性,并在语言学上为他的诗歌的文学批评提供了信息。本文的最后一部分提供了一些推测,关于媒介催化的性质,以及如何在与生成度量兼容的语言知情框架内处理它。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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25
审稿时长
38 weeks
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