History between Red Brackets

IF 0.3 0 ART
Johan Hegardt
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引用次数: 0

Abstract

This article derives from the research project entitled “Art, Culture and Conflict: Transformations of Museums and Memory Culture around the Baltic Sea after 1989,” which was financed by the Foundation for Baltic and East European Studies, Södertörn University. It discusses how history museums in Finland, Sweden, Estonia, Latvia, and Lithuania have reacted to the fall of the Iron Curtain and the conclusion of the Soviet occupation of the three Baltic states. It argues that the Cold War is understood by the museums as a special historical epoch not comparable to any other historical period in these six countries. It concludes that to be able to deal with this particular point in history we either need to metaphorically put the Cold War in between red brackets, as it were, which makes it possible to address the Cold War when needed, or to place it outside the historical narrative of the modern rise of the five discussed nation-states.
红括号之间的历史
本文源于Södertörn大学波罗的海与东欧研究基金会资助的题为“艺术、文化与冲突:1989年后波罗的海沿岸博物馆与记忆文化的转变”的研究项目。它讨论了芬兰、瑞典、爱沙尼亚、拉脱维亚和立陶宛的历史博物馆如何对铁幕的倒塌和苏联对三个波罗的海国家的占领的结束作出反应。它认为,冷战被博物馆理解为一个特殊的历史时期,无法与这六个国家的任何其他历史时期相提并论。它的结论是,为了能够处理这一特殊的历史时刻,我们要么需要隐喻地把冷战放在红色括号之间,这样就可以在需要的时候解决冷战问题,或者把它放在五个讨论过的民族国家的现代崛起的历史叙述之外。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.00
自引率
15.40%
发文量
0
审稿时长
16 weeks
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