Kajian Semiotik Pertunjukan Dalam Performa Drama “Balada Sakit Jiwa”

Misnawati Misnawati, Petrus Poerwadi, Apritha Apritha, Anwarsani Anwarsani, Siti Rahmawati
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引用次数: 4

Abstract

Performance Semiotics in Dramatic Performance is a study of the semiotics of theater or stage performances related to the theory of signs and sign systems in the performing arts called theater. Theater semiotics tries to understand the components of theater and establishes the assumption that everything within the framework of theater is a sign or sign. Theatrical performances are essentially a series of sign systems. This study aims to: (1) reveal the process of creating and presenting the performance art of the Mental Ill Ballad Drama, (2) reveal signs related to the activities of the Mentally Ill Ballad Drama performance actors, (3) reveal signs related to the appearance of the Mentally Ill Ballad Drama performance actors Jiwa, (4) reveals signs related to the spatial aspect or place of the performance of the Mentally Ill Ballad and (5) reveals signs related to the non-verbal acoustic aspects of the Mentally Ill Ballad's performance. This research was carried out at the Campus of the Indonesian Language and Literature Education Study Program, Department of Language and Arts Education, FKIP, Palangka Raya University, Central Kalimantan Province. The object of research is students who practice theater and perform theater. This study involved (1) lecturers who taught the Drama/Theatre Performance course, (2) drama/theatre arts workers, and (3) students who practiced and performed plays/theatre. Data collection techniques in this field research are observation, recording, recording, and interviews. The collected data will be analyzed using the theory of Performance Semiotics. The performance semiotics contained in the performance of the drama Balada Illness, are: (1) signs related to the process of creating and presenting performing arts, (2) signs related to actor activities, (3) signs related to actor appearances, (4) signs related to spatial aspects, and (5) signs related to non-verbal acoustics.
“精神病民谣”表演的符号学研究
戏剧表演中的表演符号学是对戏剧或舞台表演符号学的研究,与戏剧表演艺术中的符号和符号系统理论有关。戏剧符号学试图理解戏剧的组成部分,并建立戏剧框架内的一切都是符号或符号的假设。戏剧表演本质上是一系列的符号系统。本研究旨在:(1)揭示精神病歌舞剧表演艺术的创作与呈现过程;(2)揭示精神病歌舞剧表演演员的活动相关标志;(3)揭示精神病歌舞剧表演演员吉瓦的出场相关标志;(4)揭示了与《精神病歌谣》表演的空间方面或地点有关的迹象;(5)揭示了与《精神病歌谣》表演的非语言声学方面有关的迹象。这项研究是在加里曼丹省中部帕朗卡拉雅大学语言与艺术教育系印尼语言与文学教育研究项目校园进行的。研究对象是从事戏剧实践和表演的学生。本研究涉及(1)教授戏剧/戏剧表演课程的讲师,(2)戏剧/戏剧艺术工作者,以及(3)练习和表演戏剧/戏剧的学生。本领域研究的数据收集技术为观察、记录、录音和访谈。收集到的数据将使用性能符号学理论进行分析。《巴拉达病》演出中包含的表演符号学有:(1)与表演艺术创作和呈现过程有关的符号,(2)与演员活动有关的符号,(3)与演员外表有关的符号,(4)与空间方面有关的符号,(5)与非言语声学有关的符号。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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