Ensembles Practices and Cultural Forms of Life

IF 0.7 0 MUSIC
Dimitar Ginev
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Abstract

The paper presents the tenets of a hermeneutic theory of social practices. At stake is the ontological distinctiveness of properly arranged practices. The claim is defended that an ensemble of such practices is capable of disclosing and articulating an authentic cultural lifeform. This ensemble is distinguished by autonomy, but it does not have an actual (static) presence. Properly arranged practices that disclose a cultural lifeform are ontologically characterized by hermeneutic circularity and potentiality-for-being. It is argued that practices project their being upon a horizon of possible contextual configurations. Since this horizon is constantly shifting, there is ongoing interplay of practices and possibilities. A single practice within an ensemble of such practices has a dual way of being. It can partly be described in terms of strongly located – and determined by agency – entity, and partly as something dispersed over the changing configurations of practices. In other words, a given single practice is capable of exhibiting under the conditions of its intrinsic teleological organization the features of locality and self-sufficiency, and under the conditions of the interplay of practices and possibilities the features of indeterminacy and nonlocality. Because of this duality, the use of a proper principle of complementarity in constructing practice theory proves to be indispensable.
合奏实践和生活的文化形式
本文提出了社会实践解释学理论的基本原则。关键在于适当安排实践的本体论独特性。有人为这种主张辩护说,这些实践的集合能够揭示和阐明一种真实的文化生活形式。这个集合的特点是自主性,但它并不具有实际的(静态的)存在。适当安排的实践揭示了一种文化生活形式,其本体论特征是解释学的循环性和存在的可能性。有人认为,实践将它们的存在投射到可能的上下文配置的视界上。由于这个视界在不断变化,实践和可能性之间存在持续的相互作用。这些实践集合中的单个实践具有双重存在方式。它可以部分地被描述为强烈定位——并由机构——实体决定,部分地被描述为分散在不断变化的实践配置上的东西。换句话说,一个给定的单一实践能够在其内在目的论组织的条件下表现出局部性和自给自足的特征,在实践和可能性的相互作用的条件下表现出不确定性和非局部性的特征。正是由于这种两重性,在建构实践理论时,运用适当的互补原则是必不可少的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.60
自引率
10.00%
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