Inside and Outside the Exhibition Space: The Poetics and Politics of Colectivo Quintapata

IF 0.6 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Small Axe Pub Date : 2020-11-01 DOI:10.1215/07990537-8749758
Carlos Garrido Castellano, Magdalena López, B. Ramírez, Tony Capellán
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引用次数: 1

Abstract

Abstract:This essay deals with issues of citizenship, artistic labor, and belonging in the context of the Dominican Republic. It examines the collaborative work of the Colectivo Quintapata to understand how artistic collaboration is used as a way for generating social transformation and reaching audiences beyond the artistic medium. Analyzing art installations, public interventions, and socially engaged art pieces produced by Quintapata between 2009 and 2014, this essay argues that artistic collaboration works in the case of Quintapata, not so much as a formula but rather as a flexible tool employed to face situations of economic and institutional precariousness, extending the outcomes of each project beyond its original temporality and audience.
展览空间内外:《五重奏集》的诗学与政治
摘要:本文探讨了多米尼加共和国背景下的公民身份、艺术劳动和归属感问题。它考察了Quintapata的合作作品,以了解艺术合作如何被用作产生社会变革的一种方式,并触及艺术媒介之外的观众。本文分析了昆塔帕塔在2009年至2014年间创作的艺术装置、公共干预和社会参与艺术作品,认为艺术合作在昆塔帕塔的情况下,与其说是一种公式,倒不如说是一种灵活的工具,用于面对经济和制度不稳定的情况,将每个项目的结果扩展到其原始的时效性和受众之外。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Small Axe
Small Axe HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
16.70%
发文量
34
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