{"title":"Book Review: Binge-Watching and Contemporary Television Studies","authors":"B. Mills","doi":"10.1177/17496020221121482","DOIUrl":null,"url":null,"abstract":"Buttigieg JA (2018) Gramsci in English. International Gramsci Journal 3(1): 26–40. Coronation Street (1960) ITV. ITV Studios. Gramsci A, Hoare Q and Nowell-Smith G (1971) Selections from the Prison Notebooks of Antonio Gramsci. London: Lawrence & Wishart. Newcomb H (1974) TV: The Most Popular Art. Garden City, NY: Doubleday/Anchor Press. Sanders of the River. Zoltán Korda (1935) London Films. Williams R (1974) Television: Technology and Cultural Form. London: Fontana.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":0.9000,"publicationDate":"2022-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/17496020221121482","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
Buttigieg JA (2018) Gramsci in English. International Gramsci Journal 3(1): 26–40. Coronation Street (1960) ITV. ITV Studios. Gramsci A, Hoare Q and Nowell-Smith G (1971) Selections from the Prison Notebooks of Antonio Gramsci. London: Lawrence & Wishart. Newcomb H (1974) TV: The Most Popular Art. Garden City, NY: Doubleday/Anchor Press. Sanders of the River. Zoltán Korda (1935) London Films. Williams R (1974) Television: Technology and Cultural Form. London: Fontana.
期刊介绍:
Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.