{"title":"Metrical Dissonances in the Baroque Minuet: Theory and Practice","authors":"Eduardo Sola Chagas Lima","doi":"10.20504/opus2020c2607","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":42804,"journal":{"name":"Opus","volume":"11 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Opus","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.20504/opus2020c2607","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
期刊介绍:
Founded in 1989, OPUS is a four-monthly journal with the aim to widely promote musical knowledge by exploring practical, theoretical, historical, political, cultural and/or interdisciplinary aspects of music while fostering innovative technical perspectives. A scientific journal of the Associação Nacional de Pesquisa e Pós-Graduação em Música [National Association of Music Research and Postgraduate] — ANPPOM — its primary focus is to provide a broad overview of the most representative research on music in Brazil.