Human-Alien Encounters in Science Fiction: A Postcolonial Perspective

IF 0.1 0 FILM, RADIO, TELEVISION
Borbála Bökös
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Abstract

Abstract An (un)conventional encounter between humans and alien beings has long been one of the main thematic preoccupations of the genre of science fiction. Such stories would thus include typical invasion narratives, as in the case of the three science fiction films I will discuss in the present paper: the Invasion of the Body Snatchers (Don Siegel, 1956; Philip Kaufman, 1978; Abel Ferrara, 1993), The Host (Andrew Niccol, 2013), and Avatar (James Cameron, 2009). I will examine the films in relation to postcolonial theories, while attempting to look at the ways of revisiting one’s history and culture (both alien and human) in the films’ worlds that takes place in order to uncover and heal the violent effects of colonization. In my reading of the films I will shed light on the specific processes of identity formation (of an individual or a group), and the possibilities of individual and communal recuperation through memories, rites of passages, as well as hybridization. I will argue that the colonized human or alien body can serve either as a mediator between the two cultures, or as an agent which fundamentally distances two separate civilizations, thus irrevocably bringing about the loss of identity, as well as the lack of comprehension of cultural differences.
科幻小说中的人类与外星人相遇:后殖民视角
人类与外星生物的(非)传统相遇一直是科幻小说的主要主题之一。因此,这样的故事将包括典型的入侵叙事,就像我将在本文中讨论的三部科幻电影一样:《盗尸者的入侵》(唐·西格尔,1956年;菲利普·考夫曼,1978;《阿贝尔·费拉拉》,1993),《怪物》(安德鲁·尼科尔,2013),以及《阿凡达》(詹姆斯·卡梅隆,2009)。我将研究与后殖民理论相关的电影,同时试图看看在电影世界中重新审视一个人的历史和文化(包括外星人和人类)的方式,以揭示和治愈殖民的暴力影响。在我对这些电影的阅读中,我将阐明(个人或群体)身份形成的具体过程,以及通过记忆、通道仪式和杂交来实现个人和公共恢复的可能性。我认为,被殖民的人类或外星人既可以作为两种文化之间的中介,也可以作为一种媒介,从根本上使两个不同的文明拉开距离,从而不可挽回地导致身份的丧失,以及对文化差异缺乏理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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