What Is Good and Bad Children’s Music? Exploring Quality and Value in Music for Children

John Vinge
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引用次数: 2

Abstract

This article outlines and discusses various aspects of quality and value in children’s music. Quality is defined as something performative—that is, characteristics within the aesthetic object that gain significance and value through interaction with listening subjects. The article argues that the judgment of quality in music is always relative, depending on the listener and the criteria in play, and when it comes to children’s music, a variety of participating subjects and possible criteria could be involved. This pluralistic, relativistic concept of quality allows the author to theoretically examine quality perceptions of children’s music by employing different sets of criteria significant to the aesthetic object and its various functions and, philosophically, through the viewpoints of different agents in the field of children’s music. Through this analytical exercise, the article contributes to the categorization and understanding of various logics underpinning normative judgments of children’s music.
什么是好的和坏的儿童音乐?探索儿童音乐的质量和价值
本文概述并讨论了儿童音乐的质量和价值的各个方面。品质被定义为某种表现性的东西,即审美对象内部通过与聆听主体的互动而获得意义和价值的特征。文章认为,音乐质量的判断总是相对的,取决于听众和演奏的标准,当涉及到儿童音乐时,各种各样的参与主体和可能的标准可能涉及。这种多元的、相对的质量概念使作者能够通过采用对审美对象及其各种功能具有重要意义的不同标准,以及通过儿童音乐领域不同主体的观点,从理论上检查儿童音乐的质量感知。通过这种分析练习,文章有助于分类和理解各种逻辑,支持儿童音乐的规范性判断。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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