Identity and Citizenship in Hong Kong: A Theoretical Reflection Using Chinese Landscape Painting

Q3 Social Sciences

Chinese Education and Society Pub Date : 2020-03-03 DOI:10.1080/10611932.2020.1716616

Derrick Tu

引用次数: 2

Abstract

Abstract In this paper, I examine Hong Kong’s identity and citizenship through the Chinese landscape painting, Mountain Palace, by Dong Yuan. Specifically, I ask: how can a reading of Mountain Palace using Jullien’s concepts of presence and absence provide insights into current issues of identity and citizenship in Hong Kong? I argue that citizenship is not a static identity but a manifestation of historical processes in a constant state of becoming. Rather than focusing on political tensions or recolonization, I suggest that Hong Kong is already part of Mainland China, but its unique identity needs to be recognized.

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香港的身份与公民身份:中国山水画的理论反思

本文通过董源的山水画《山宫》来审视香港的身份和公民身份。具体来说，我想问的是:用于连的存在和缺失的概念来解读《山宫》，如何能提供对当前香港身份和公民身份问题的见解?我认为公民身份不是一种静态的身份，而是一种不断发展的历史进程的表现。我的建议是，香港已经是中国大陆的一部分，但它的独特身份需要得到承认，而不是关注政治紧张局势或再殖民。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Chinese Education and Society Social Sciences-Sociology and Political Science

CiteScore

0.80

自引率

0.00%

发文量

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