{"title":"The Powers of the False in Romanian Cinema. The case of Police, Adjective and Aurora","authors":"Gheorghe Gheorghe","doi":"10.24193/ekphrasis.27.4","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"22 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ekphrasis-Images Cinema Theory Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24193/ekphrasis.27.4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}