Christ in Anne Conway’s Principia (1690): Metaphysics, Syncretism, and Female Imitatio Christi

IF 0.1 Q3 HISTORY
Sandrine Parageau
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引用次数: 1

Abstract

Abstract This article examines the representation and function of Christ in Anne Conway’s only treatise, The Principles of the Most Ancient and Modern Philosophy, published posthumously in 1690. Christ plays a prominent role in Conway’s philosophical system as he is both a medium between God and the creatures in the ontological hierarchy, and the instrument that will make possible the conversion of Jews and Muslims to the Christian religion. Conway draws upon Quakerism and the Lurianic Kabbalah to build a Christocentric metaphysics that also aims to make sense of pain – Conway’s own physical pain as well as the existence of evil in the world. Finally, the article enquires into Conway’s personal relationship with Christ. As a suffering woman, she might be expected to feel a closer connection with the human Christ, following the example of medieval female mystics, but Conway’s philosophy actually presents a metaphysical, genderless Christ, which can paradoxically be interpreted as a way of reintroducing women into Christianity.
安妮·康威的《原理》(1690)中的基督:形而上学、融合论和女性对基督的模仿
本文考察了基督在安妮·康威(Anne Conway)唯一的专著《最古老和最现代哲学的原理》(1690年她死后出版)中的表现和作用。基督在康威的哲学体系中扮演着重要的角色,因为他既是上帝和本体论层次中的生物之间的媒介,也是使犹太人和穆斯林皈依基督教成为可能的工具。康威借鉴贵格会和卢里亚教派的卡巴拉,建立了一个以基督为中心的形而上学,旨在理解痛苦——康威自己身体上的痛苦,以及世界上邪恶的存在。最后,文章探讨了康威与基督的个人关系。作为一个受苦受难的女人,她可能会像中世纪女性神秘主义者那样,与人类的基督有更密切的联系,但康威的哲学实际上呈现了一个形而上学的、没有性别的基督,这可以矛盾地解释为一种将女性重新引入基督教的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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