Exploring annotations for musical pattern discovery gathered with digital annotation tools

IF 0.5 2区 数学 Q4 MATHEMATICS, INTERDISCIPLINARY APPLICATIONS
Darian Tomašević, S. Wells, I. Ren, A. Volk, Matevž Pesek
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引用次数: 14

Abstract

The study of inter-annotator agreement in musical pattern annotations has gained increased attention over the past few years. While expert annotations are often taken as the reference for evaluating pattern discovery algorithms, relying on just one reference is not usually sufficient to capture the complex musical relations between patterns. In this paper, we address the potential of digital annotation tools to enable large-scale annotations of musical patterns, by comparing datasets gathered with two recently developed digital tools. We investigate the influence of the tools and different annotator backgrounds on the annotation process by performing inter-annotator agreement analysis and feature-based analysis on the annotated patterns. We discuss implications for further adaptation of annotation tools, and the potential for deriving reference data from such rich annotation datasets for the evaluation of automatic pattern discovery algorithms in the future.
探索使用数字注释工具收集的音乐模式发现注释
在过去的几年中,对音乐模式注释中注释者间一致性的研究越来越受到关注。虽然专家注释经常被用作评估模式发现算法的参考,但仅仅依赖一个参考通常不足以捕获模式之间复杂的音乐关系。在本文中,我们通过比较两种最近开发的数字工具收集的数据集,解决了数字注释工具在实现音乐模式大规模注释方面的潜力。我们通过对注释模式进行注释者间协议分析和基于特征的分析,研究了工具和不同注释者背景对注释过程的影响。我们讨论了对注释工具的进一步适应的影响,以及从这些丰富的注释数据集中获取参考数据的潜力,以便将来评估自动模式发现算法。
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来源期刊
Journal of Mathematics and Music
Journal of Mathematics and Music 数学-数学跨学科应用
CiteScore
1.90
自引率
18.20%
发文量
18
审稿时长
>12 weeks
期刊介绍: Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. In consideration of the deep unsolved ontological and epistemological questions concerning knowledge about music, the Journal is open to a broad array of methodologies and topics, particularly those outside of established research fields such as acoustics, sound engineering, auditory perception, linguistics etc.
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