{"title":"Belleza y fatalidad. Otra propuesta de aproximación a la obra de Dionisio González a través de las favelas brasileñas.","authors":"Fernando Sáez Pradas","doi":"10.5433/1984-7939.2021v17n30p28","DOIUrl":null,"url":null,"abstract":"The work of Dionisio González (Gijón, 1965) is inserted in the debate of architecture, home, and housing, gentrication, and real estate speculation, poorism (poverty tourism), the possibilities of socio-cultural development of a territory, etc. In this article we approach the photographic series of Brazilian favelas Cartografías para a Remoçao, made between 2004 and 2007, from another point of view: the beauty. We analyze his work based on binomials, highlighting among them the beauty-danger and/or beauty-fatality dichotomy..","PeriodicalId":38555,"journal":{"name":"Discursos Fotograficos","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Discursos Fotograficos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5433/1984-7939.2021v17n30p28","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
The work of Dionisio González (Gijón, 1965) is inserted in the debate of architecture, home, and housing, gentrication, and real estate speculation, poorism (poverty tourism), the possibilities of socio-cultural development of a territory, etc. In this article we approach the photographic series of Brazilian favelas Cartografías para a Remoçao, made between 2004 and 2007, from another point of view: the beauty. We analyze his work based on binomials, highlighting among them the beauty-danger and/or beauty-fatality dichotomy..
迪奥尼西奥González (Gijón, 1965)的作品被插入到建筑、家庭和住房、士绅教育、房地产投机、贫穷主义(贫困旅游)、一个领土的社会文化发展的可能性等的辩论中。在这篇文章中,我们从另一个角度来探讨2004年至2007年间拍摄的巴西贫民窟Cartografías para a remoao摄影系列:美。我们基于二项分析他的作品,突出其中的美-危险和/或美-宿命二分法。