Books in Permanent Exhibitions. A Multi-Perspective Approach

M. Brand
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引用次数: 0

Abstract

ABSTRACT The impulse for this article was the current publication ‘Book supports of open books in exhibitions. A guide for conservators and exhibition designers’ (Buchstützen für geöffnete Bücher in Ausstellungen. Ein Leitfaden für Restauratoren und Ausstellungsgestalter) (Brückle, 2019). This two-part article focuses on the special challenges of permanent—as opposed to temporary—exhibitions with their inherent preservation challenges and limited options for conservators within the overall decision-making process. The multi-perspective approach offers solutions contributed from two different professionals, i.e., conservators and exhibition designers. Part 1 presents a practical compromise developed by book conservators for protecting of books in permanent exhibition at the German Historical Museum Foundation Berlin (Stiftung Deutsches Historisches Museum – DHM) from light-damage. Here, the book conservators have developed the ‘facsimile view page’ as a combination of original book and overlying facsimile. Part 2, for a bigger picture, looks at a range of exhibition designs and presentation forms. Most importantly, by allowing a reduction in the number of items displayed, not only does exhibition design comply with the stated preservation goals, but it is also closely connected with the conservator’s work.
常设展览中的书籍。多视角方法
本文的灵感来自于当前出版的《展览中开卷书的图书支持》。Ausstellungen的修复师和展览设计师指南(buchst tzen f r geöffnete b cher)。Ein Leitfaden f餐厅管理和Ausstellungsgestalter) (br ckle, 2019)。这篇由两部分组成的文章主要关注永久性展览的特殊挑战,而不是临时展览,它们固有的保护挑战和保护人员在整个决策过程中的有限选择。这种多角度的方法提供了两种不同专业人士的解决方案,即修复人员和展览设计师。第一部分介绍了图书保护人员为保护柏林德国历史博物馆基金会(Stiftung Deutsches Historisches Museum - DHM)常设展览的图书免受光损坏而开发的一种实用折衷方案。在这里,图书管理员开发了“传真查看页面”,作为原始书籍和覆盖传真的组合。第2部分从更大的角度介绍了一系列的展览设计和展示形式。最重要的是,通过减少展出的物品数量,不仅使展览设计符合既定的保护目标,而且还与保护人员的工作密切相关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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