Sclerotic scatter and focusing in eye painting: light through darkness

É. Denion, Sophie Denion, F. Mouriaux, Guillaume Béraud
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Abstract

. We aimed at searching in color art paintings through all art periods from Ancient Egyptian Art to Contemporary Art for sclerotic scatter (SS) and peripheral light focusing (PLF), using large-scale internet databases. These phenomena originate from the illuminated side of the eyeshell: limbal sclera for SS or cornea for PLF. They end at the darkness of the opposite limbal scleral side, where they are either scattered (SS) or concentrated (PLF) forming a clear arc or spot of light, respectively ("light through darkness"). We found SS and PLF in 83 and 2 paintings respectively out of 113,962 paintings analyzed. These forms of objective chiaroscuro help to reconstruct a basic sense of eyeball modelling by bringing the limbus out of the shadows. Among the paintings with SS, most were painted during the following periods: Renaissance (44), Baroque (15), Rococo (11). Sixty-one of the paintings with SS have a dark background compatible with the fact that SS is more easily observed under low ambient light illuminance ("light through darkness"). subtle, rare of see them a new light, to their proper treatment and restoration and is likely to enhance their economic value.
眼部绘画中的硬化散射与聚焦:光穿透黑暗
. 我们的目标是使用大规模的互联网数据库,在从古埃及艺术到当代艺术的所有艺术时期的彩色艺术绘画中搜索硬化散射(SS)和外围光聚焦(PLF)。这些现象起源于受光照的一侧:SS的角膜缘巩膜或PLF的角膜。它们在另一侧巩膜侧的黑暗处结束,在那里它们要么分散(SS),要么集中(PLF),分别形成一个清晰的弧线或光点(“黑暗中的光”)。在分析的113962幅画作中,我们分别在83幅和2幅画作中发现了SS和PLF。这些形式的客观明暗对比通过将边缘带出阴影,帮助重建眼球建模的基本感觉。在带有SS的画作中,大多数是在以下时期完成的:文艺复兴时期(44),巴洛克时期(15),洛可可时期(11)。61幅带有SS的画作背景较暗,这与SS在低环境光照下更容易被观察到(“光穿透黑暗”)这一事实相一致。不易察觉、罕见的对它们另眼相看,对它们进行适当的处理和修复,很有可能提高它们的经济价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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