{"title":"Performing The Politics of Translation in Modern Japan: Staging The Resistance by Aragorn Quinn (review)","authors":"David Jortner","doi":"10.1353/atj.2022.0032","DOIUrl":null,"url":null,"abstract":"Bharucha, Rustom. 2000. The Politics of Cultural Practice: Thinking Through Theatre in an Age of Globalization. London: Athlone Press. Brecht, Bertolt. 2018. Brecht on Theatre, ed. Marc Silberman, Tom Kuhn, and Steve Giles; trans. Jack Davis, Romy Fursland, Steve Giles, Victoria Hill, Kristopher Imbrigotta, Marc Silberman, and John Willett. London: Bloomsbury. Carlson, Marvin. 2003. The Haunted Stage: Theatre as Memory Machine. Michigan: University of Michigan Press. He, Chengzhou. 2016. “An East Asian Paradigm of Interculturalism.” European Review 24, no. 2: 210–220. Tatlow, Antony. 2014. “The Silence of Buddha: Triangulating Gao Xingjian, Brecht, and Beckett.” In Polyphony Embodied – Freedom and Fate in Gao Xingjian’s Writings, ed. Michael Lackner and Nikola Chardonnens, 57–72. Berlin: De Gruyter. Tian, Min. 1997. “‘Alienation-Effect’ for Whom?: Brecht’s (Mis)interpretation of the Classical Chinese Theatre.” Asian Theatre Journal 14, no. 2: 200–222.","PeriodicalId":42841,"journal":{"name":"ASIAN THEATRE JOURNAL","volume":"13 1","pages":"421 - 424"},"PeriodicalIF":0.3000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ASIAN THEATRE JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/atj.2022.0032","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
Bharucha, Rustom. 2000. The Politics of Cultural Practice: Thinking Through Theatre in an Age of Globalization. London: Athlone Press. Brecht, Bertolt. 2018. Brecht on Theatre, ed. Marc Silberman, Tom Kuhn, and Steve Giles; trans. Jack Davis, Romy Fursland, Steve Giles, Victoria Hill, Kristopher Imbrigotta, Marc Silberman, and John Willett. London: Bloomsbury. Carlson, Marvin. 2003. The Haunted Stage: Theatre as Memory Machine. Michigan: University of Michigan Press. He, Chengzhou. 2016. “An East Asian Paradigm of Interculturalism.” European Review 24, no. 2: 210–220. Tatlow, Antony. 2014. “The Silence of Buddha: Triangulating Gao Xingjian, Brecht, and Beckett.” In Polyphony Embodied – Freedom and Fate in Gao Xingjian’s Writings, ed. Michael Lackner and Nikola Chardonnens, 57–72. Berlin: De Gruyter. Tian, Min. 1997. “‘Alienation-Effect’ for Whom?: Brecht’s (Mis)interpretation of the Classical Chinese Theatre.” Asian Theatre Journal 14, no. 2: 200–222.