{"title":"Vertigo","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0013","DOIUrl":null,"url":null,"abstract":"This chapter treats Alfred Hitchcock’s masterpiece Vertigo as a contribution to the philosophy of romantic love, including, among other things, consideration of its ethical dimensions.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"25 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cinema-Journal of Philosophy and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190683306.003.0013","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter treats Alfred Hitchcock’s masterpiece Vertigo as a contribution to the philosophy of romantic love, including, among other things, consideration of its ethical dimensions.