Art and Migration to the Gulf: Unpacking the “Binary States, India-UAE” Exhibition at the Kochi-Muziris Biennale

Q1 Social Sciences
Aurélie Varrel
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引用次数: 0

Abstract

Abstract This article presents an alternative narrative about the role of transnational migration in Gulf societies, that was developed in the contemporary art scene. It was presented in 2016–17 in the shape of an exhibition at the third Kochi-Muziris Biennale of Contemporary Art in Kerala, South India and explored how contemporary art can provide a space of freedom to address certain delicate issues in the Gulf context. The exhibition was put on by a collective based in Dubai, but was presented abroad at a Biennale located in the state of Kerala that is famous for its massive outmigration to the Middle East. The article examines how this context of production influenced the contents presented at the Biennale, and considers how it may have been received.
艺术和移民到海湾:打开“二元国家,印度-阿联酋”展览在Kochi-Muziris双年展
本文提出了另一种关于海湾社会中跨国移民作用的叙述,这是在当代艺术界发展起来的。它于2016-17年以展览的形式在印度南部喀拉拉邦举行的第三届Kochi-Muziris当代艺术双年展上展出,探讨了当代艺术如何提供一个自由的空间,以解决海湾背景下的某些微妙问题。这次展览是由总部设在迪拜的一个集体举办的,但在喀拉拉邦的一个双年展上展出,喀拉拉邦以其向中东的大规模移民而闻名。本文探讨了这种生产背景如何影响双年展上呈现的内容,并考虑了它是如何被接受的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Arabian Studies
Journal of Arabian Studies Social Sciences-Cultural Studies
CiteScore
0.90
自引率
0.00%
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