{"title":"Beyond the Minotaur: The construction of a benign state in three Catalan cultural products","authors":"Ernest Carranza Castelo","doi":"10.1386/ijis_00090_1","DOIUrl":null,"url":null,"abstract":"Since the late 2000s, creators of cultural products have imagined a future Catalonia with its independent institutions as the result of a collective effort driven by the citizens, rather than just the elites. In this article, I posit that the representation of the Catalan republic as benign, horizontal and modern shows tensions and omissions in aspects such as coercion, economic freedom, social protection, bureaucracy, language policies and the handling of immigration. This articulation is exemplified in the journalistic fiction Crònica de la independència (2009) by Patrícia Gabancho, the documentary L’endemà (2014a) by Isona Passola and the essay La República possible (2017) by Antonio Baños. The unproblematic and contradictory depiction of the state reveals latent fears derived from the historical difficulty to fit this political institution into the complex reality of the nation. Moreover, the cultural products analysed show the need to stabilize the new meanings related to the signifiers state and republic in Catalan culture.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/ijis_00090_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"SOCIAL SCIENCES, INTERDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Since the late 2000s, creators of cultural products have imagined a future Catalonia with its independent institutions as the result of a collective effort driven by the citizens, rather than just the elites. In this article, I posit that the representation of the Catalan republic as benign, horizontal and modern shows tensions and omissions in aspects such as coercion, economic freedom, social protection, bureaucracy, language policies and the handling of immigration. This articulation is exemplified in the journalistic fiction Crònica de la independència (2009) by Patrícia Gabancho, the documentary L’endemà (2014a) by Isona Passola and the essay La República possible (2017) by Antonio Baños. The unproblematic and contradictory depiction of the state reveals latent fears derived from the historical difficulty to fit this political institution into the complex reality of the nation. Moreover, the cultural products analysed show the need to stabilize the new meanings related to the signifiers state and republic in Catalan culture.
自2000年代末以来,文化产品的创造者们一直在想象一个未来的加泰罗尼亚,它拥有独立的机构,这是公民共同努力的结果,而不仅仅是精英。在这篇文章中,我认为对加泰罗尼亚共和国的描述是良性的、横向的和现代的,这表明在胁迫、经济自由、社会保护、官僚主义、语言政策和移民处理等方面存在紧张和遗漏。这种表达体现在Patrícia Gabancho的新闻小说Crònica de la independncia (2009), Isona Passola的纪录片L ' endeme.com (2014a)和Antonio Baños的文章la República possible(2017)中。对国家的毫无疑问和矛盾的描述揭示了潜在的恐惧,这些恐惧来自于将这种政治制度融入国家复杂现实的历史困难。此外,分析的文化产品表明需要稳定加泰罗尼亚文化中与能指国家和共和国相关的新意义。