Mary, Esmeralda, and Frollo: A Hermeneutic Reading of “The Hunchback of Notre Dame – The Musical”

C. Malilang
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引用次数: 0

Abstract

Mary, Esmeralda, and Frollo: A Hermeneutic Reading of “The Hunchback of Notre Dame – The Musical”. This essay aims to analyze the multimodal storytelling involving songs in The Hunchback of Notre Dame – The Musical. Two songs, “God Helps the Outcasts” and “Hellfire”, are chosen to be analyzed hermeneutically. The primary analysis is done through the scrutiny over the juxtaposition of different musical styles in the said songs. Comparisons to Victor Hugo’s original text and the Disney animated version – in which the musical is based on – is also done to shed more light on the new layers of interpretation.
玛丽、埃斯梅拉达和弗罗洛:音乐剧《巴黎圣母院的钟楼怪人》的诠释学解读
玛丽、埃斯梅拉达和弗罗洛:音乐剧《巴黎圣母院的钟楼怪人》的诠释学解读。本文旨在分析音乐剧《钟楼怪人》中涉及歌曲的多模式叙事。选择“上帝帮助被抛弃的人”和“地狱之火”这两首歌进行解释学分析。主要的分析是通过对上述歌曲中不同音乐风格并列的审查来完成的。与维克多·雨果的原著和迪斯尼动画版本(音乐剧的基础)进行比较,也为新的解释层次提供了更多的线索。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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