Philippe Beck’s art of poetry

Gorica Orsholits
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引用次数: 0

Abstract

Contemporary French poet Philippe Beck through his intriguing poetic project Opéradiques (2014; which has yet to be translated into English) demonstrates a new understanding of writing poetry through the deconstructive, reconstructive, boustrophedon process. Beck finds the foundation of his art of poetry in the "ruins" of existing written poems, stories, texts of all genres and forms. When it seems that writing poetry has lost all direction, and almost become irrelevant, Beck's work shows us the "cracks in the wall". Is it that these "cracks in the wall" should be received as a bold attempt to secure a new enthusiasm for the future, to form a stronger poem able to say that which cannot be said? Does Beck's work tell us that poetry must be the answer to the question "what is poetry?" The works of Derrida, Walter Benjamin, and Jean-Luc Nancy, provide an opening through which to grasp Beck's poetics.
菲利普·贝克的诗歌艺术
当代法国诗人菲利普·贝克通过他引人入胜的诗歌项目《opradiques》(2014;(尚未翻译成英文)通过解构、重构、解构的过程展示了对诗歌创作的新理解。贝克在现存的各种体裁和形式的书面诗歌、故事和文本的“废墟”中发现了他的诗歌艺术的基础。当诗歌创作似乎失去了方向,几乎变得无关紧要时,贝克的作品向我们展示了“墙上的裂缝”。难道这些“墙上的裂缝”应该被认为是一种大胆的尝试,以确保对未来的新热情,形成一首更强大的诗,能够说出不能说的话吗?贝克的作品是否告诉我们,诗歌必须是“诗歌是什么”这个问题的答案?德里达的作品,本雅明和jean - luc南希,提供一个开放的掌握贝克诗学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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