CHAOS OF WAR AND IDENTITY CRISIS: TYPOLOGICAL DOMINANTS OF NARRATIVES ABOUT TRAUMA IN MODERN UKRAINIAN LITERATURE

O. Romanenko
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Abstract

The article presents a study of the phenomenon of narratives about trauma in modern Ukrainian literature - based on works devoted to the Russian-Ukrainian war. The focus of the study is on two examples: the media project "Another Day: War Diaries" and Oleksandr Mykhed's fairy tale "Cat, Rooster, Cupboard". The purpose of the article is to analyze the attributive features of a story about traumatic events, to clarify the definition of a "trauma novel", and to analyze the genre features of a story about traumatic events that appear in modern Ukrainian literature. Research results and conclusions. Artistic practices of understanding the Russian-Ukrainian war are formed in the context of two trends. The first tendency is neorealism as a special way to reproduce the truth of trauma, the chaos of war, documentary, and impressive facts. The second tendency is to depict fundamental changes in the identity of the characters. This actualizes the trauma novel genre in modern Ukrainian literature. The genre of the trauma novel can be described as a story about the events before, during, or after traumatic events (war, migration, family destruction, violence, genocide, etc.). In such works, the story of the character as a witness or victim of traumatic events is told, and the existential conflict between life and death is described thanks to the principles of self-narrative, family history, fragmentary narrative, etc. This is a special type of understanding of a traumatic event - at the moment of the Catastrophe when the identity crisis of the characters is shown as overcoming silence and creating an individual story inscribed in the collective history. The emergence of such projects as "One more day: war diaries", and the therapeutic story-tale "Cat, Rooster, Cupboard" was influenced by extra-literary factors, in particular mass media, and this determines their typological originality: they combine the collective experience of trauma with individual stories about changing identity and overcoming the consequences of traumatic experiences, forming the language of victory.
战争的混乱与身份危机:现代乌克兰文学中创伤叙事的类型主导
本文以俄乌战争题材作品为研究对象,对乌克兰现代文学中的创伤叙事现象进行了研究。这项研究的重点是两个例子:媒体项目“另一天:战争日记”和Oleksandr Mykhed的童话故事“猫,公鸡,橱柜”。本文旨在分析创伤性事件故事的定语特征,厘清“创伤小说”的定义,分析乌克兰现代文学中出现的创伤性事件故事的体裁特征。研究结果和结论。理解俄乌战争的艺术实践是在两种趋势的背景下形成的。第一种倾向是新现实主义,作为一种特殊的方式来再现创伤的真相、战争的混乱、纪实和令人印象深刻的事实。第二种倾向是描写人物身份的根本变化。这就实现了乌克兰现代文学中的创伤小说类型。创伤小说的类型可以被描述为关于创伤事件(战争,移民,家庭破坏,暴力,种族灭绝等)之前,期间或之后的事件的故事。在这类作品中,人物作为创伤事件的见证者或受害者,通过自我叙事、家族史、碎片叙事等原则,描写生与死之间存在的冲突。这是对创伤性事件的一种特殊理解——在灾难发生的那一刻,人物的身份危机被表现为克服沉默,创造了一个铭刻在集体历史中的个人故事。“再多一天:战争日记”和治疗故事故事“猫,公鸡,橱柜”等项目的出现受到文学外因素,特别是大众媒体的影响,这决定了它们的类型学独创性:它们将集体创伤经历与个人关于改变身份和克服创伤经历后果的故事结合起来,形成了胜利的语言。
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