Cutting Cárdenas: Revising the Revolutionary Family in 1980s Mexico

IF 0.1 4区 社会学 N/A HUMANITIES, MULTIDISCIPLINARY
M. Huska
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引用次数: 0

Abstract

Abstract:In 1987 the historical telenovela Senda de gloria (Path of Glory) debuted to the delight of audiences and illustrated a fundamental link between telenovelas and national identity. The series, a coproduction between Televisa, Mexico’s largest media conglomerate, and the Instituto Mexicano del Seguro Social (IMSS), weaves the melodramatic tale of the Álvarez family into the backdrop of the 1910 Mexican Revolution, specifically from the 1917 constitution to Lázaro Cárdenas’s nationalization of oil in 1938. This article employs the discourse of the “revolutionary family” to understand both the plot and the production of Senda de gloria, as well as the political context of 1980s Mexico. Furthermore, the article explores IMSS as part of the revolutionary family and its involvement in the production of relatively costly telenovelas. Senda demonstrates how Mexican heroes and villains were recast in the neoliberal turn after 1988, and in this political and economic transition, the very history that the PRI employed to legitimize its power instead discredited the party and underscored its illegitimacy.
切割Cárdenas:修正1980年代墨西哥的革命家庭
摘要:1987年,历史题材的电视剧《荣耀之路》首次亮相,为观众带来了欢乐,并说明了电视剧与国家认同之间的根本联系。这部电视剧由墨西哥最大的媒体集团Televisa和墨西哥社会研究所(IMSS)联合制作,将Álvarez家族的戏剧性故事编织到1910年墨西哥革命的背景中,特别是从1917年的宪法到1938年Lázaro Cárdenas的石油国有化。本文采用“革命家庭”的话语来理解《美丽的仙车》的情节和制作,以及20世纪80年代墨西哥的政治背景。此外,文章还探讨了IMSS作为革命家庭的一部分,以及它参与制作相对昂贵的电视剧。桑达展示了墨西哥的英雄和恶棍是如何在1988年之后的新自由主义转向中被重塑的,在这个政治和经济转型中,革命制度党用来使其权力合法化的历史反而使该党失去了信誉,并强调了它的非法性。
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来源期刊
STUDIES IN LATIN AMERICAN POPULAR CULTURE
STUDIES IN LATIN AMERICAN POPULAR CULTURE HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
0.00%
发文量
10
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