Revisiting William Blake's Marriage of Heaven and Hell : a reading against Kathleen Raine's Blake and Antiquity

Q2 Arts and Humanities
Krešimir Vunić
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引用次数: 0

Abstract

William Blake’s Marriage of Heaven and Hell is a text that can easily be misinterpreted and this is primarily due to its register and tone; Blake has written a text in which what appears to be mystical insight may blind the reader to a misunderstanding of its major themes. The arts, and specifically the art of poetry and the relationship between the artist and society are what are central in this text, as well as a meditation on the nature of human experience. Beginning with a polemic against Kathleen Raine’s statements in Blake and Antiquity, what will be explored here will be the contextual framework of Blake’s poetics in this text and their further implications.
重读威廉·布莱克的《天堂与地狱的婚姻》:对照凯瑟琳·雷恩的《布莱克与古代》的解读
威廉·布莱克的《天堂与地狱的婚姻》很容易被误解,这主要是由于它的音域和语气;布莱克写了一篇文章,其中看似神秘的洞察力可能会使读者对其主要主题产生误解。艺术,特别是诗歌艺术以及艺术家与社会之间的关系是本书的核心内容,也是对人类经验本质的思考。从对凯瑟琳·雷恩在《布莱克与古代》中的论述的争论开始,本文将探讨布莱克诗学的语境框架及其进一步的含义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Brno Studies in English
Brno Studies in English Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
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0
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