A Note on Bleeding Edge’s “Unsheltered”

Q2 Arts and Humanities
A. Rolls
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引用次数: 0

Abstract

The Bleeding Edge excerpt provided in the Fall 2013 Penguin Press catalogue notes that “[u]nhoused people sleep in doorways,”but by the time the Advanced Reading Copy had reached reviewers, “unhoused” had been changed to “unsheltered” (2), an edit that remained in place, even after other changes to the text, a couple of months later when the book became available for general readers. . . . We might ask: what significance is there to the edit? And from whose perspective are we seeing Maxine’s neighborhood in the opening of the novel? . . .  The edit actually distances the text from the only characters in the scene to whom we might attribute the perception of unsheltered people, Maxine and her children.
关于Bleeding Edge的《Unsheltered》的注解
企鹅出版社2013年秋季出版目录中提供的《血边》节选指出,“无家可归的人睡在门口”,但当高级阅读副本到达评论家手中时,“无家可归的人”被改成了“无庇护的人”(2),即使在对文本进行了其他修改之后,这个编辑仍然存在,几个月后,这本书向普通读者开放. . . .我们可能会问:编辑有什么意义?在小说的开头,我们从谁的角度来看待玛克辛的邻居?……编辑实际上将文本与场景中唯一的人物拉开了距离,我们可以将其归因于对未受庇护的人的感知,玛克辛和她的孩子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Orbit (Cambridge)
Orbit (Cambridge) Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
8
审稿时长
15 weeks
期刊介绍: Orbit: Writing Around Pynchon is a journal that publishes high quality, rigorously reviewed and innovative scholarly material on the works of Thomas Pynchon, related authors and adjacent fields in 20th- and 21st-century literature. We publish special and general issues in a rolling format, which brings together a traditional journal article style with the latest publishing technology to ensure faster, yet prestigious, publication for authors.
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