Modern art and stage costume: The case of Dragilev's Ballets Russes

Dragana Frfulanović, Aleksandra Jevtović, Milena Savić
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引用次数: 0

Abstract

Sergei Dragilev recognized the vitality of modern art that brought freshness to the culture, so all innovative artists of the time were invited to join his campaign and goal. And he reflected on the fact that ballet breaks the shackles of the traditional concept in the performance of dance, music, costume design, and scenography and imposes an element of challenge by introducing current contemporary tendencies in art and culture. All the famous names of the art of that time brought the latest achievements of modern art into the world of dance: Pablo Picasso, Natalia Goncharova, Henri Matisse, and Giorgio de Chirico. And with them, the design of scenography and costume design took the form of cubism, fauvism, futurism, surrealism, and other avant-garde movements, while refreshing the themes, which overall influenced ballet to become part of popular culture.
现代艺术与舞台服装:以德拉吉列夫的俄罗斯芭蕾舞团为例
谢尔盖·德拉吉列夫认识到现代艺术的活力给文化带来了新鲜感,所以当时所有创新的艺术家都被邀请加入他的运动和目标。他认为,芭蕾在舞蹈、音乐、服装设计、舞台设计等表演上,打破了传统观念的束缚,引入了艺术文化的当代趋势,并赋予了挑战的元素。当时所有的艺术名人都把现代艺术的最新成就带入了舞蹈世界:巴勃罗·毕加索、纳塔莉亚·贡恰洛娃、亨利·马蒂斯和乔治·德·基里科。随着他们的出现,舞台设计和服装设计采取了立体主义、野兽派、未来主义、超现实主义等前卫运动的形式,同时刷新了主题,整体上影响了芭蕾舞成为流行文化的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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