Dincolo de un fenomen social: ia și valorificarea unui tipar identitar

Q1 Arts and Humanities
Adina Hulubaș, Ioana Repciuc
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引用次数: 0

Abstract

The paper aims to explain the concept of “identity” by drawing the intricate cultural and political history of an important piece of the Romanian peasant attire. Involved and instrumentalized within various political and cultural identity programs, traditional clothing was exhibited by ethnographers, anthropologists, cultural activists for a long time as an identity landmark meant to display racial differences, national stereotypes, and social hierarchies. The Romanian peasant attire was thus transformed from a community internal practical and symbolical object to an ethnic and then national identity tool. More recently, the national project of inscribing the traditional Romanian female blouse with embroidery on the shoulder on the UNESCO Representative List of the Intangible Cultural Heritage is an opportunity for various stakeholders and promoters to reuse and commodify this clothing piece within their own cultural and commercial programs and to redefine and redesign the concept of “heritage community”.
超越社会现象:利用身份模式
本文旨在通过描绘一件重要的罗马尼亚农民服装的复杂的文化和政治历史来解释“身份”的概念。在各种政治和文化身份项目中,传统服装被民族学家、人类学家、文化活动家长期作为一种身份标志来展示,旨在显示种族差异、民族刻板印象和社会等级。因此,罗马尼亚农民的服装从社区内部的实用和象征对象转变为种族和国家身份的工具。最近,国家项目将罗马尼亚传统女衬衫肩上刺绣列入联合国教科文组织非物质文化遗产代表名录,这是一个机会,让各种利益相关者和推动者在自己的文化和商业项目中重新利用和商品化这种服装,并重新定义和重新设计“遗产社区”的概念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Revista Transilvania
Revista Transilvania Arts and Humanities-Literature and Literary Theory
CiteScore
0.80
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0.00%
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