Stealing from Bakhtin: Writing the Voices of the ”Voiceless”

Guro Flinterud
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引用次数: 1

Abstract

This essay investigates an approach to writing about animals within the humanities. The goal is to focus attention on animals as actors, rather than speaking on their behalf. By combining Mikhail Bakhtin’s theory of speech genres with Donna Haraway’s perspectives on co-habitation between all species, I suggest that a careful attention to animals as communication partners might give us a tool to capture the contribution animals make in the creation of history and culture. Two examples will be provided to illustrate this concept: The first example is a media story about celebrity polar bear Knut. The second example is an oral account of human-animal interaction in the zoo.
借鉴巴赫金:书写“无声者”的声音
这篇文章探讨了在人文学科中写作动物的一种方法。我们的目标是把注意力集中在作为演员的动物身上,而不是代表它们说话。通过将米哈伊尔·巴赫金的语言类型理论与唐娜·哈拉威关于所有物种之间共存的观点结合起来,我认为仔细关注动物作为交流伙伴可能会给我们提供一种工具,以捕捉动物在创造历史和文化方面所做的贡献。这里将提供两个例子来说明这个概念:第一个例子是关于名人北极熊克努特的媒体故事。第二个例子是动物园里人与动物互动的口述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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